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Correspondence, manuscripts, drawings, photographs, and printed material of Lax. Included are letters of Mark and Dorothy Van Doren and Thomas Merton. The bulk of the collection is comprised of Lax's poetry and journal manuscripts, many written in Patmos and Kalymnos, Greece, and originally sent to Emil Antonucci of the Journeyman Press in New York for publication. Also, printed photographs and unprinted negatives of pictures taken by Lax, primarily in Greece.

Correspondence files of Roberts Brothers, pertaining to all departments, editorial, production, advertising, and sales. Also, some miscellaneous letters and documents, unrelated to Roberts Brothers, which deal with various legal matters, including those of Frederick D. Ely and of William A. Dunn, from 1838 until 1932, and letters to the Secretary of Harvard University from 1900 to 1907.

Three groups of drawings, two in notebooks and the third torn from a notebook. 1). A 38 page spiral bound notebook containing 29 drawings, 9 pages of notes, and a concrete poem by Nancy Holt. Most of the drawings were done in preparation for his show at L'Attico Gallery in Rome, October 15 to November 7, 1969. The last two drawings refer to his travels in the Yucatan. 2). Three loose drawings torn from a larger spiral bound notebook. They are studies for L'Attico Gallery Exhibition. 3). A 12 page typewriter paper tablet containing 10 drawings (four are loose) and two pages of notes. The drawings were done from late 1969 through 1970 in Vancouver, the Anaconda Mines in British Columbia, and elsewhere.

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

This collection of material by and about L. Frank Baum is an adjunct to the collection of first editions of Baum's writings made by Roland O. Baughman over a period of many years. An important part of the collection consists of the correspondence and papers related to the exhibition of L. Frank Baum. This exhibition was mounted at the Columbia University Libraries in 1956 to mark the centenary of Baum's birth. Baum manuscripts, original drawings by illustrators of Baum books, and issues of periodicals in which Baum pieces appeared constitute the core of the collection

Correspondence, manuscripts, photographs, art work, and printed material of and concerning Ronald Firbank. Included are nine letters from poet Alfred Douglas, seven from artist Albert Rutherston, four from Rollo Talboys, then schoolmaster at Wellington College, and forty-two letters from Firbank himself to his publisher Grant Richards and his manager George Wiggins. There are four letters from his mother, Lady Harriet, to the publisher and one letter from his father, Joseph Thomas Firbank, while serving in the House of Commons, 1897. Manuscripts include drafts and notebooks for his works: THE ARTIFICIAL PRINCESS, A DISCIPLINE FROM THE COUNTRY, THE RYTHUM, PRANCING N***, THE PRINCESS ZOUBAROFF, TRUE LOVE, and VAINGLORY. There is an inscribed photograph of Firbank from 1904; a pen-and-ink drawing by C.R.W. Nevinson used as a book illustration; and Albert Rutherston's watercolor drawing for the dust jacket of Firbank's novel, INCLINATIONS (London, 1916). There are also cataloged correspondence and manuscripts collected collected by Ifan Kyrle Fletcher for his book, RONALD FIRBANK; A MEMOIR.. (London, 1930).

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

Correspondence, Halsband's chemistry dissertation, articles on chemistry, Columbia University memorabilia, photographs, and drawings. There are many letters from Professor Halsband concerning the progress of his books. Letters to and from her family and from her friends have been added. Correspondents include Samuel Hopkins Adams, Samuel Atkins Eliot, Jr., and Italo Montemezzi.

Correspondence of Granniss with various persons, relating to the preparation of her book AN AMERICAN FRIEND OF SOUTHEY (New York, 1913), a sketch of Maria Gowen Brooks (1795-1845). Included also are a copy of Granniss' book, two copperplates used to illustrate it, and a copy of Maria Brooks' ZÓPHIËL, a poem, Boston, 1925.