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The collection centers on Zierold's book, LITTLE CHARLEY ROSS, 1967, a re-examination of the first American kidnapping for ransom. Included are notes, research materials, illustrations, typescripts, proofs, reviews, and correspondence. Zierold has added the drafts, manuscripts, and typescripts of several of his plays and writings about Hollywood, including THE CHILD STARS, BABY MADGE, SWINGING FROM A CHANDELIER, DEATH IN HOLLYWOOD, THREE WOMEN IN BLACK, THE SEX GODDESSES, and NOT BEFORE BREAKFAST.

Stark Young's own manuscripts. The complete manuscript of IMMORTAL SHADOWS, 1948. Each of the 65 essays is in a separate folder and most are the manuscripts which were originally printed in THE NEW REPUBLIC and show Young's extensive revisions of his earlier work. The final typescript of his autobiography, THE PAVILION, 1951, as well as a loose-leaf notebook of early drafts and a typescript copy of several reviews of this book. A printed copy of his play ARTEMIS, 1942, and his notes concerning the originality of his authorship. Also, one letter from Young to a playwright.

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Papers, promptbooks, photographs, lecture notes, correspondence, and theatrical files of Somerville. Included are materials from the Washington Square Players and Duke's Oak Theatre in Cooperstown, N.Y.

Correspondence, memoranda, photoreproductions of manuscript excerpts by Kafka, publicity files, production records, and printed materials for the works of the Austrian author, Franz Kafka, in German and English translations, 1940-1977. These extant files were set aside by David Rome, the former president of Schocken Books, after the firm was purchased by Pantheon Books, a division of Random House, several years ago. The files consist mainly of production files for the first American editions of THE GREAT WALL OF CHINA (1946), LETTERS TO MILENA (1948), ERZAHLUNGEN UND KLEINE PROSA (1957), and FRANZ KAFKA: BRIEFE (l958). Also included is a publicity file aimed at American Jewish organizations and college and university German departments promoting SAMLICHE WERKE edited by Max Brod as well as his biography of Kafka, and a marked master galley proof for PARABLES AND PARADOXES (1958). Also included are photocopies and mimeograph copies of playscripts based on Kafka's DIARY and METAMORPHOSES and a script by Michael McClure, JOSEPHINE, based on a character of the same name in Kafka's story, THE MOUSE FOLK. There is correspondence with Professor Heinz Pollitzer concerning the promotion of publishing Kafka's writings in the early 1960s. The printed materials are chiefly book reviews of Kafka's publications and some scholarly articles on Kafka.