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Correspondence, miscellaneous notes, manuscripts and documents, memorabilia, photographs, clippings, and printed material. The chief correspondents are Nicholas Murray Butler, Charles George Proffitt, and Herbert S. Renton. The collection relates to the theater, to the ANNALS and to Odell's other work, SHAKESPEARE FROM BETTERTON TO IRVING.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, manuscripts, journals, documents, subject files, photographs, memorabilia, and printed matter. The collection includes Pillionnel's routine correspondence, manuscripts in French and English of his poems, plays and prose works, many of which are unpublished, and his "Journal Intime" which covers the period 1932-1972. Included is an oil portrait of Pillionnel by his friend Peter Hayward. One document folder contains Pillionnel family records (birth certificates, baptismal records, passports) from the late eighteenth and nineteenth centuries