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Frances Henne papers, 1865-1987

8.5 linear feet
Abstract Or Scope

Notes and books from the library of Frances Elizabeth Henne, including some of her own books from her childhood, and others on children's literature inscribed to her by the authors; material for her class on illustration in children's literature, 1952-1979; and memorabilia. Also, a 3,000 card bibliography of children's books cited in book dealer catalogs as well as a small group of entries for monographs and serials with references to children's literature; printed ephemera collected by Phyllis Yuill Marquart (Columbia M.L.S., 1973) relating to her collecting of and research on Helen Bannerman's LITTLE BLACK SAMBO. Included are photocopies of Bannerman's out-of-print books, a folder on commercial spinoffs, such as Sambo's Restaurants, photocopies of various editions of STRUWELPETER, which contains the Sambo story and a 1971 BBC audio tape recording and transcript of a radio program on the topic.

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Frances Perkins papers, 1895-1965

71 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, drafts of speeches, appointment books, subject files, documents, photographs, memorabilia and printed materials. There are notes from her lectures on Sociology at Adelphi College in 1911-1912; papers from 1912-1932, when Perkins served on the Commission for Safety and on the Industrial Commission of New York State; the main body of the material is from the period of her cabinet office, 1933-1945; and some items from her days on the Civil Service Commission, 1946-1953. Also included are personal and family papers.

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Frederic Dannay papers, 1920-1982

85 linear feet
Abstract Or Scope

Correspondence, outlines and drafts, manuscripts, letters of agreement, contracts, photographs, artwork, and memorabilia. The collection is divided into two parts: the Frederic Dannay papers and the files of ELLERY QUEEN'S MYSTERY MAGAZINE (EQMM). The Dannay papers consist of extensive correspondence with most of the notable mystery writers of this century, as well as well-known authors who sometimes wrote in that genre: Isaac Asimov; Lawrence Block; Ray Bradbury; Pearl S Buck; Edgar Rice Burroughs; James M. Cain; Raymond Chandler; Agatha Christie, etc. Most of the novels and short stories written by Dannay and Lee are represented in manuscript form: "The Roman Hat Mystery;" "Ten Day's Wonder;" "Cat of Many Tails;" "The Scarlet Letters;" "The Glass Village;" "The Player on the Other Side;" "And on the Eighth Day" etc. In addition, there are the manuscripts of books edited by Ellery Queen; manuscripts by Ellery Queen Jr.; scripts by Ellery Queen; poetry by Dannay; contracts between Dannay and Lee, as well as between them both as Ellery Queen and numerous parties. There are also manuscripts by such notables as Jorge Luis Borges; Erskine Caldwell; Raymond Chandler; Agatha Christie; Stanley Ellin; William Faulkner; Dashiell Hammett; O Henry; Nigel Morland; Georges Simenon; Muriel Spark; Julian Symons; Roy Vickers; and Cornell Woolrich.

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Gerald Sykes papers, 1921-1984

42 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

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Henry Beetle Hough papers, 1841-1994

24 linear feet
Abstract Or Scope

Correspondence, manuscripts, typescripts, research files, documents, printed materials, photographs, and memorabilia of Mr and Mrs Hough. Correspondence includes both personal and business letters, dealing with wildlife conservation, civic interests, and birding. There is some correspondence of George A. Hough, Sr., father of H.B. Hough, who was editor of the New Bedford MA Standard. Most of the correspondence is arranged alphabetically, by personal name or subject, out-going and in-coming filed together. Henry and Elizabeth Hough's correspondence, for which there are no in-coming or related letters, are filed chronologically. Cataloged correspondents include Calvin Coolidge, Max Eastman, Helen Keller, John F. Kennedy, Emily Post, and James Reston.

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Jacques Barzun papers, 1900-1999

225 linear feet
Abstract Or Scope
The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).
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Joseph L. Blau papers, 1912-1987

15 linear feet
Abstract Or Scope
Columbia, A.B., 1931; M.A., 1933; Ph.D., 1944. Professor of religion and philosophy at Columbia University. Member of Fraternity of Leaders of the American Ethical Union; author and scholar in field of American philosophical and religious thought. The collection includes correspondence, manuscripts, course materials, research notes, minutes, clippings, reprints of articles, as well as 25 inscribed or annotated books.
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Lenore Marshall papers, 1887-1980

23.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, memorabilia and printed materials. The correspondence deals with literary and political topics, from such people as Hayden Carruth, Irwin Edman, Lola Ridge and Norman Thomas; numerous manuscripts of Mrs. Marshall's writings, including the notes, drafts, manuscripts and proofs of her last novel THE HILL IS LEVEL and various manuscripts of the stories published in THE CONFRONTATION AND OTHER STORIES, and numerous manuscripts of poetry and short stories. Also included is material on the World War II draft of 19-year-olds, economic aid for Western Europe, the Vietnam War, the origin of SANE, the Committee for Nuclear Responsibility, the Amchitka Islands nuclear tests, the Task Force against Nuclear Pollution, and personal correspondence from her own and her husband's families

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Pearl S. Buck Collection, 1932-1956

.84 linear feet
Abstract Or Scope
The collection consists primarily of carbon copies of manuscripts for Pearl S. Buck's short stories, essays, speeches, and screenplays. Some copies include corrections and additions in Buck's handwriting. The collection also includes publications by other authors including an exhaustive bibliography of Buck's work by Lucille S. Zinn of the Pearl S. Buck Birthplace Foundation, Inc.
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Samson Raphaelson papers, 1916-1982

19.5 linear feet
Abstract Or Scope

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

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