Subjects: Documentary films -- Production and direction - Columbia University Libraries Archival Collections Search Results

Creator: Flaherty, David, 1897-1966
Abstract Or Scope: The David Flaherty papers document the personal and professional life of Flaherty, dating from 1913 to 1965. The papers consist of David Flaherty's personal and family correspondence, scripts, accounts, notes, manuscripts, etc. of the films which he directed. The materials also include papers related to the documentary shorts he produced for the Jack Frost Sugar Company in the 1940s and the "Green Mountain Land" for the Vermont Development Association in 1950, along with others films he produced and proposed in the 1950s.

Creator: Lee, Jonathan, 1953-
Abstract Or Scope: Interviews from Paul Goodman Changed My Life (2011) contain 37 unedited, full-length interviews conducted between 2004-2006 with individuals, each of whom had an important connection to Paul Goodman at one point in their lives. The interviewees are from a range of fields, including Ned Rorem, Grace Paley, Noam Chomsky, Morris Dickstein, Richard Flacks, Sally, Susan and Daisy Goodman (Paul's widow and two daughters), Vera Williams, Jacqueline Gourevitch, and Nicholas von Hoffman. The interviews were later edited to produce the documentary film "Paul Goodman Changed My Life", produced and directed by Jonathan Lee, produced and edited by Kimberly Reed, photographed by Benjamin Shapiro, and distributed by Zeitgeist Films in 2011.

Creator: Jarrico, Paul
Abstract Or Scope: Paul Jarrico (1929-1996) was a Hollywood screenwriter working in the studio system in the 1930s and 1940s. A lifelong communist, he was subpoenaed before the House Committee on Un-American Activities in 1951. His refusal to comply with the Committee's questions saw him lose his job at RKO and placed on the so-called Hollywood "Blacklist." His films were marked by their marriage of art and politics, often commenting on the pressing issues of their time. Notably, his 1954 film Salt of the Earth, a collaboration between blacklisted filmmakers and the International Union of Mine, Mill and Smelter Workers, was regarded as a subversive critique of mid-century American capitalism.

Creator: Brick, Richard
Abstract Or Scope: The Richard Brick and Geri Ashur collection consists of materials related to film productions created and collected by Richard Brick and Geri Ashur, dating from 1968 to 2014. The materials document the career of Richard Brick as a filming professor, producer, and the first commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB). The collection also includes materials related to films by Geri Ashur. The bulk of the collection focuses on the motion picture films and production files of the films Richard Brick and Geri Ashur produced, as well as the administrative records that document Richard Brick's contribution to the filming industry in New York during his tenure as the commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB).

Creator: Flaherty, Robert Joseph, 1884-1951
Abstract Or Scope: Professional and personal papers of Robert J. Flaherty and of his associates Frances Hubbard Flaherty and David Flaherty, concerning his career as an explorer in the Hudson Bay area, and as a film-maker from 1913 until 1951. The collection includes correspondence, diaries, financial records, scripts, publicity materials, his books, short stories, and articles and stills from his films including NANOOK OF THE NORTH (1922), MOANA (1925), MAN OF ARAN (1934), ELEPHANT BOY (1937), THE LAND (1941), and LOUISIANA STORY (1948). Also, files of the Robert Flaherty Foundation, including the later personal papers of Flaherty's wife, Frances Hubbard Flaherty.

Creator: Weng, Wango H. C.
Abstract Or Scope: The Wan-go H.C. Weng film collection (翁萬戈影視收藏) consists of motion picture film materials from the collection of Weng Wango (1918-2020), the noted art historian, art collector, and filmmaker. The collection consists of approximately 739 individual film elements, almost all 16mm, dating from circa 1944 to 1980. In addition to the 16mm film, there are three 35mm films and 28 1/4-inch open-reel audiotapes. The materials in the collection primarily relate to films produced by Weng, including series of films on Chinese history, Chinese cities and towns, and Chinese art. The collection also includes materials were collected by Weng but were, presumably, owned by him or his production company. Included in the collection are a wide variety of different types of film elements, including original film, master picture and sound elements, projection prints, work prints, trims, and outs. While some of Weng's films have been made available through various avenues, including the educational film distribution circuit, DVDs, and online, this is almost certainly the most complete collection of Weng's work, containing master and original materials for many of his films.

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