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Mostly testimonial letters from satisfied clients of A.P. Watt, praising his services. Many of the letters were published in promotional brochures. Two of these books, COLLECTION OF LETTERS ADDRESSED TO A.P. WATT BY VARIOUS WRITERS (London, 1893) & LETTERS ADDRESSED TO A.P. WATT (London, 1894), are included in the collection. There were other editions published in 1889, 1898, 1899, 1924, 1929, etc.

Correspondence, manuscripts, and books of Kielty. Of special interest are the long and rich files of letters from Dorothy Canfield Fisher and W. Somerset Maugham, as well as letters from other contemporary authors, among them, Bernard Berenson, Isak Dinesen, Rumer Godden, Franz Werfel, and Kathleen Winsor.

Correspondence, manuscripts, documents, photographs, relating to her research on the life of Malcolm X.

A collection of letters from authors, critics, and scholars, primarily relating to lectureships and courses given under the auspices of the English Department. Some of the correspondence, notably the ten letters from Amy Lowell, deal with essays written for the revised edition of C.D. Warner's LIBRARY OF THE WORLD'S BEST LITERATURE. The letters are written to Ashley H. Thorndike, John W. Cunliffe, George R. Carpenter, Ernest H. Wright, and Marjorie Nicolson. The correspondents include John Mason Brown, Marchette Chute, Robert P. Tristram Coffin, Padraic Colum, Bernard DeVoto, T.S. Eliot, John Erskine, Robert Frost, Otto Jespersen, Howard Mumford Jones, Joyce Kilmer, Ludwig Lewishon, Amy Lowell, Archibald MacLeish, Thomas Mann, Brander Matthews, H.L. Mencken, Christopher Morley, Ezra Pound, Theodore Roosevelt, Charles P. Snow, Allen Tate, Robert Penn Warren, and Edmund Wilson. Two boxes of miscellaneous uncataloged correspondence cover the years, 1896-1917, and a folder for the 1935 Mark Twain Centennial sponsored by the English Department. The correspondence is chiefly with Ernest Hunter Wright.

Correspondence from clients about placing their work. Among the authors are: Michael Arlen, Nancy Astor, Beverley Nichols, Cecil Roberts, and Alec Waugh. There is also a typescript concert program for The Amphion Glee Club in 1907, signed by 58 members who were orthopedic surgeons.

Correspondence, manuscripts, documents, photographs and printed material of the English poet and critic, Edmund Blunden, documenting his personal and professional activity. Blunden's letters to his second wife, Sylva Norman, and his secretary, Aki Hayashi, are particularly well represented. Also included are many letters addressed to Blunden by eminent literary figures such as John Betjeman, George Orwell, Siegfried Sassoon, Stephen Spender, and Henry Williamson. Other literary correspondents are Adrian Bell, Joyce Cary, Richard Church, C. Day Lewis, Walter de la Mare, Graham Greene, H.D., William Plomer, Kathleen Raine, and Leonard Woolf. A substantial portion of the cataloged correspondence contains drawings, verse fragments and poems by Blunden which have been analyzed. Also present are eleven of Blunden's diaries, 1936-1967, which contain drafts of a number of poems. In addition, the collection contains a small number of autograph manuscripts of Edmund Blunden's literary works.

Personal and professional papers of Stedman, including correspondence, letter books, diaries, poetry manuscripts, scrapbooks, photographs, and genealogical materials for the Stedman and Dodge families. Correspondence and manuscripts of his mother, Elizabeth Clementine Dodge Stedman Kinney (1810-1889), poet and diarist, and of his granddaughter, Laura Stedman Gould (1881-1941), author and editor. Also, editions of Stedman's LIBRARY OF AMERICAN LITERATURE including printed materials relating to the marketing; and an album of Civil War photographs by Mathew Brady, inscribed by the photographer to Laura H.W. Stedman as well as additional loose photographs by Brady.

Correspondence, manuscripts, photographs, and printed materials of Sypher, reflecting his interest in A.C. Swinburne and in the Estonian poet, Aleksis Rannit. Correspondents include Joseph Hume, Ted Joans, Aleksis Rannit, Enid Starkie, and Algernon Charles Swinburne. There are additional materials on Africa, the Mina dialect in Togo, and the Sypher and related families of New York State.

Correspondence, outlines and drafts, manuscripts, letters of agreement, contracts, photographs, artwork, and memorabilia. The collection is divided into two parts: the Frederic Dannay papers and the files of ELLERY QUEEN'S MYSTERY MAGAZINE (EQMM). The Dannay papers consist of extensive correspondence with most of the notable mystery writers of this century, as well as well-known authors who sometimes wrote in that genre: Isaac Asimov; Lawrence Block; Ray Bradbury; Pearl S Buck; Edgar Rice Burroughs; James M. Cain; Raymond Chandler; Agatha Christie, etc. Most of the novels and short stories written by Dannay and Lee are represented in manuscript form: "The Roman Hat Mystery;" "Ten Day's Wonder;" "Cat of Many Tails;" "The Scarlet Letters;" "The Glass Village;" "The Player on the Other Side;" "And on the Eighth Day" etc. In addition, there are the manuscripts of books edited by Ellery Queen; manuscripts by Ellery Queen Jr.; scripts by Ellery Queen; poetry by Dannay; contracts between Dannay and Lee, as well as between them both as Ellery Queen and numerous parties. There are also manuscripts by such notables as Jorge Luis Borges; Erskine Caldwell; Raymond Chandler; Agatha Christie; Stanley Ellin; William Faulkner; Dashiell Hammett; O Henry; Nigel Morland; Georges Simenon; Muriel Spark; Julian Symons; Roy Vickers; and Cornell Woolrich.

Correspondence, manuscripts, documents, photographs, and printed materials of and relating to Woodberry. Included are letters from Woodberry to Melville H. Cane, John Erskine, John S. Harrison, Robert Underwood Johnson, and Joel E. Spingarn. There are 330 letters from Woodberry to Harry Harkness Flagler telling of Woodberry's daily life in Beverly, Mass. and of his travels in Europe and Africa. Additional correspondence, notes, and printed materials relate to Woodberry's life, writings, teaching career, retirement, the controversy in 1902 that led to his resignation from the Columbia University faculty in 1904, the bequest of his books to Harvard University and Phillips Exeter Academy, the Poetry Room dedicated in his honor at Harvard University, an exhibit of Woodberriana at the New York Public Library and the Woodberry Society. There are more than fifty manuscripts of his essays and poems. Among the printed materials are his poems, essays, and book reviews, most of which have been cut from THE ATLANTIC MONTHLY. Other printed materials are about Woodberry, reviews of his books, obituaries, memorials, and books, many inscribed.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, manuscripts, typescripts, research files, documents, printed materials, photographs, and memorabilia of Mr and Mrs Hough. Correspondence includes both personal and business letters, dealing with wildlife conservation, civic interests, and birding. There is some correspondence of George A. Hough, Sr., father of H.B. Hough, who was editor of the New Bedford MA Standard. Most of the correspondence is arranged alphabetically, by personal name or subject, out-going and in-coming filed together. Henry and Elizabeth Hough's correspondence, for which there are no in-coming or related letters, are filed chronologically. Cataloged correspondents include Calvin Coolidge, Max Eastman, Helen Keller, John F. Kennedy, Emily Post, and James Reston.

Manuscripts and correspondence of Schneider, including numerous manuscripts of short stories and poems, many of which are unpublished, and several full-length manuscripts of unpublished critical works. The collection also contains an extensive file of typescript reports on books for The Book Find Club, clippings of reviews written by Schneider and about his books, photographs and drawings of Schneider, and a file of correspondence relating to his writings. The literary correspondence includes letters from many of the important novelists, poets, and literary critics from the 1920s to the 1950s. They include Conrad Aiken, Sherwood Anderson, Kenneth Burke, Malcolm Cowley, Theodore Dreiser, Waldo Frank, Lillian Hellman, Robert Hillyer, Alfred Kreymborg, Thomas Mann, Arthur Miller, Marianne Moore, Lewis Mumford, Laura Riding, Muriel Rukeyser, Karl Shapiro, Stephen Spender, Mark Van Doren, and Yvor Winters.

The collection documents the scholarship and writing of John Eugene Unterecker, a poet, biographer of the poet Hart Crane, and professor of English. The majority of the collection is composed of correspondence and manuscripts. Materials date from 1961 to 1987.

Correspondence, manuscripts, drawings, documents, photographs, clippings, and other printed materials. Most of Freeman's own letters are written to Anne Williams Feinberg, his secretary. Among the cataloged correspondence are: Sherwood Anderson, Margaret Bourke-White, Erskine Caldwell, John Dos Passos, Theodore Dreiser, Langston Hughes, Edna St. Vincent Millay, and Lincoln Steffens. There is the manuscript of his book NEVER CALL RETREAT.

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

Correspondence, manuscripts and page proofs. The correspondence includes 12 letters from Roland Barthes, 1963-1978, concerning French literature in French and American universities, and one letter from Charles Maurras and his comments on Roudiez's Columbia University dissertation (1950), CHARLES MAURRAS: GENESIS OF A REACTION; also a typescript of the translation and revision of the dissertation, MAURRAS JUSQU'À L'ACTION FRANC̦AISE, published in Paris in 1957. In addition, there are several typescript drafts and page proofs all with holograph corrections for Roudiez's translations of Julia Kristeva's DESIRE IN LANGUAGE (New York: Columbia University Press, 1980) and POWERS OF HORROR (New York: Columbia University Press, 1982); and the typescript for Roudiez's book FRENCH FICTION TODAY(New Brunswick: Rutgers University Press, 1972)

Correspondence and manuscripts of Van Doren, consisting of letters, poems, short stories, novels, plays, radio broadcast transcripts ("Invitation to Learning"), diaries, critical works, proofs, and printed works. Correspondents include Louise Bogan, Philip Booth, Babette Deutsch, Richard Eberhart, T.S. Eliot, John Gould Fletcher, Herbert Gorman, E.W. Howe, Robinson Jeffers, Archibald MacLeish, Louis MacNeice, Edgar Lee Masters, Lewis Mumford, Hyam Plutzik, Allen Tate, and Louis Zukovsky. Also, extensive correspondence with Robert Lax and Thomas Merton, as well as manuscripts by these two authors.

The dead columns of Marvin Kitman, mostly from Newsday. The file folders contain clippings, notes, background research, correspondence, publicity materials, photographs, etc. for the columns. Kitman writes about a variety of topics as he criticizes practically every television program and genre from the 1960s through 2003. There are also a few files of letters, as well as his various "polls".

Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.

Uncataloged novels, plays, and short stories by Blackmur. There are photographs mounted in each of the five volumes. The collection contains THE GREATER TORMENT (novel), KING PANDAR (novel), PLAYS ("The conqueror" "Follow the leader" "Hero" and "The taking of Avis"), SHORT STORIES (33 short stories).

Letters, manuscripts, notes, proofs, course materials, and printed matter. The letters are chiefly from his colleagues at Columbia University, other literary critics, a few publishers and, single letters from several American authors. There is a series of lengthy letters from Chase to his wife, Frances Marie Walker Chase, dated 1938 and 1949-1961; letters from his colleagues and friends to Mrs Chase, 1962-1967, mostly letters of condolence on Chase's death, and a few related to his publications. The manuscripts and proofs of his writings include typescripts on Herman Melville and Walt Whitman. Also included are notes on American and Englisgh literature, course materials for his Columbia courses, articles and reviews by him, articles, reprints and reviews by others, most of which are inscribed to Chase, and three dozen volumes of his own works, including foreign translations. In addition, there are 250 volumes from Chase's library, many with his annotations and marginalia. 1984 ADDITION: Letters from friends dealing with the contemporary literary world between 1948-1955. The main body of material is from Robert Willard Flint, a sometime poet and critic, who was a graduate student at Columbia in 1946 and later worked at the Harvard Library. 1986 ADDITION: Letters to Richard Chase from colleagues in the literary world, 1948-1971, with 2 letters to his wife after his death. 114 of these letters are from Robert Flint, 25 from Lionel Trilling, and 3 letters from Robert Penn Warren

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Letters to Cyril Clemens containing comments on his work and writings as well as that of other American writers. There are also four letters of Gladys Brooks (Mrs Van Wyck), Brooks' passport dated 1951, and one page of a holograph manuscript essay on Theodore Dreiser.

Correspondence, manuscript, and printed materials of Kees. There are fourteen letters from Kees to Herbert Cahoon, twelve letters from James T. Farrell to Kees, the manuscript of Kees' THE LAST MAN, and announcements and clippings by and about Kees.

Correspondence, manuscripts, documents, photographs and printed materials. The correspondence is with American and English literary figures and Columbia faculty members. Included are 38 letters from Brander Matthews and 4 from Edmund Gosse. There are 5 letters from Trent to George Whicher, 3 to John Hart, and 180 postcards and letters to John Bell Henneman, as well as a group of miscellaneous letters to and from Trent. Also included are a holograph fair copy of Trent's poem "Germany, 1915" with his covering a.l.s. and several miscellaneous poems; and his contract with J.B. Lippincott Co. for the publication of GEORGE SAND. There are also two documents signed by George W. Maynard. Among the photographs is a photograph album, prepared by Hudson Stuck in 1899, of people and scenes from Dallas, Texas. Among the printed materials are Trent's examinations and outlines for English courses, and THE UNPOPULAR REVIEW with numerous pages of Trent's notes

Strachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.