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C.L.R. James Institute records, 1932-2003, bulk 1983-1999

20 linear feet
Abstract Or Scope
The C.L.R. James Institute was founded by Jim Murray to document the writing and influence of James and his circle
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Goodie Publications records, 1999-2009

17.5 Linear Feet
Abstract Or Scope

38 issues published from 1999-2009; designed, printed, collated, folded and staple-bound at the Goodie office in Brooklyn, NY; most issues were printed for subscribers, with extras being printed for special events of a given subject, and later by online orders; average between 200-500 copies per issue; readers were notified of new issues by postcard in the mail at first and later by email

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Institute for Israel and Jewish Studies records, 1979-2022

1 linear feet
Abstract Or Scope

This collection consists of over 50 audio cassettes of lectures sponsored by the IIJS and related paper announcements of the lectures.

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Jerome Moross papers, 1924-2018

70.25 linear feet
Abstract Or Scope

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

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John Leonard papers, 1939-2015, bulk 1950s-2008

26.5 linear feet
Abstract Or Scope
John Leonard (1939 -2008) was an American literary and cultural critic best known for his extensive writing on literature, television, media, politics and American culture and his work as head editor of The New York Times Book Review in the 1970s. The John Leonard papers include drafts of Leonard's reviews, essays, essay collections, and works of fiction and nonfiction. The collection also includes his correspondence with prominent literary and cultural figures, his research and business files, personal memorabilia, photographs, signed artwork, printed matter, posthumous tributes to Leonard, and audio-visual material.
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Marilyn Crispell papers, 1980-2021

7 linear feet
Abstract Or Scope

Jazz pianist Marilyn Crispell's career is documented in this collection by programs, reviews, scrapbooks, books, sounds recordings, art, and posters.

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Maryse Condé papers, 1979-2012

2.5 linear feet
Abstract Or Scope
Maryse Condé is a prominent contemporary Caribbean writer. She has published ten novels to date while continuing an academic career which brought her to UC Berkeley, the University of Virginia, the University of Maryland, and Harvard before coming to Columbia in 1995. The collection consists primarily of audio/visual material. Most items are labeled in French and it is presumed that the content consists of various lectures and interviews given by Condé.
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Max Neuhaus papers, 1950s-2008

31.25 linear feet
Abstract Or Scope
Research materials relating to the creation and installation of sound sculptures by Max Neuhaus.
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Michèle C. Cone collection of Artists under Vichy, 1920s-1990s

14 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.

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Peter G. Davis Papers, 1912-2021, bulk 1948-2021

13 Linear Feet
Abstract Or Scope
This collection contains the papers of Peter G. Davis (1936-2021), who worked as a classical music critic at various national and specialist publications from 1962-2018. It includes the vast majority of Davis's writings on music (published or draft), along with print material relating to these writings, Davis's compositions (1957-1964), material relating to Davis's early education (1948-1959), and correspondence and interviews with a number of major classical musicians.
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