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Correspondence, manuscripts, notes, course related materials, photographs, photostats, and printed materials of Rusk. Included are two small files of correspondence, approximately 100 items, relating to Rusk's editing of THE LETTERS OF RALPH WALDO EMERSON (1939) and to his study of occasional poetry in Colonial America for the Colonial Project in American Literature. The manuscripts include several miscellaneous items by Rusk, and five Columbia University masters essays submitted to him in connection with the Colonial American poetry study. Also, 12,000 note cards relating to this study as well as 150 photostatic copies of books of Colonial American poetry. For the Emerson edition there are 14,000 note cards on Emerson's life and letters. There are also 1,000 note cards for Rusk's edition of THE LETTERS OF EMMA LAZARUS (1939). The Columbia course related materials consist of notes, syllabi, reading lists, bibliographies, examination questions, lists of students and a few letters from them for Rusk's American literature course, 1931-1951. The printed materials are mainly reprints of articles on R.W. Emerson, inscribed to Rusk and containing annotations by him. In addition there are 23 photographs taken by Rusk in 1913, of a Passion Play which was performed in the Philippines.

Correspondence, manuscripts, typescripts, conference papers, scientific drawings, photographs, and printed material. This collection consists chiefly of Halford's manuscripts and typescripts of his writings for scientific journals and papers presented at various conferences and symposiums with related correspondence of colleagues. Also included are files on the teaching of chemistry with reference to practices at Columbia, photographs of his spectrometers, a copy of his patent for Recording Spectrometers, and a file relating to his participation in a 1959 panel discussion on the future of education sponsored by the Barnard College and Columbia Alumni Clubs of Chicago. The printed material includes reprints and accompanying bibliography of Halford's writings. Also, a photograph taken by Jack Aeby at the test site of the atomic bomb, Alamogordo, N.M., 16 July 1945 has been added to the collection.

Papers, promptbooks, photographs, lecture notes, correspondence, and theatrical files of Somerville. Included are materials from the Washington Square Players and Duke's Oak Theatre in Cooperstown, N.Y.

Uncataloged novels, plays, and short stories by Blackmur. There are photographs mounted in each of the five volumes. The collection contains THE GREATER TORMENT (novel), KING PANDAR (novel), PLAYS ("The conqueror" "Follow the leader" "Hero" and "The taking of Avis"), SHORT STORIES (33 short stories).

Correspondence, memoranda, notes, lists, manuscripts, photographs, and printed material. The records also include administrative files from Baker's tenure as Dean of the Graduate School of the Journalism, 1961-1970, as well as course materials, and data for journalism conferences.

Personal and professional papers including correspondence, manuscripts, documents, diaries, journals, photographs, and printed materials relating to his teaching at various universities, his literary studies and writings, and his professional activities in such organizations as the Moder Language Association and P.E.N. His correspondents include contemporary authors such as Edmund Blunden, Christopher Hassall, Louis Kronenberger; scholars such as James P. Clifford, Leon Edel, and A.L. Rowse. There are also some letters collected by Halsband, including those by Mrs Piozzi, John Wilkes (1727-1797) and John Stuart, 3rd Earl of Bute (1713-1792). Among the manuscripts are notes, drafts, typescripts, and proofs of his LIFE OF LADY WORTLEY MONTAGU (Oxford, 1956) and COMPLETE LETTERS OF LADY MARY WORTLEY MONTAGU (Oxford, 1965-1967). Also, manuscripts and typescripts of Halsband's diaries, journals, lectures, articles, book reviews, and essays. The printed materials include ephemera, books, and offprints by Halsband and books by other authors inscribed to him. There is a watercolor portrait of Halsband by Stephen Andrews, London, ca. 1966.

Correspondence, manuscripts, notes, documents, subject files, financial records, course materials, photographs, and printed materials. Woodworth's professional correspondence is with colleagues, scholars, students, the Columbia University Psychology Department, professional organizations, the Archives of Psychology, the National Academy of Sciences, the Psychological Corporation, and publishers. His own set of psychology subject headings include both general and specific topics such as behavior, color, experimental psychology, learning, memory, perception, personality, sensation, etc. These files contain manuscripts, notes, psychological tests, test data, revisions, for his monographs and other research materials. In addition to the subject files, there is some general, personal and family correspondence; manuscripts of his articles, lectures, addresses, curricular materials, biographical files and photographs. The printed materials consist of his personal collection of reprints of psychological literature arranged according to his own subject headings; reprints by colleagues, some inscribed and signed with his annotations; and books from his library, some of which contain his markings and comments

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, subject files and research notes of Sigmund Diamond. Included among the correspondence are Diamond's letters to and from various distinguished members of Columbia University and other academic insitutions, as well as correspondence with many noted sociologists and historians. Included in the manuscripts is Diamond's "In Quest." The subject files comprise material from Diamond's tenure at Columbia and include some material pertaining to his forced departure from Harvard in the 1950's due to his previous communist affiliation, and his active role in maintaining the efficacy of the Freedom of Information Act. The research files include microfilms and notes.

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.