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The correspondence is primarily with member clubs throughout Europe, and the manuscripts are chiefly minutes of federation and club meetings. Also included in the collection are several photographs, some financial records, a file on the women's team, clippings, programs and four issues of the federation's illustrated year-book.

Collection of Russian and Eastern European emigre newspapers and periodicals published in Europe, North America, South America and Australia in the 20th century, also includes a number of newspapers published in Russia and the Soviet Union.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Correspondence, manuscripts, photographs, and printed materials of Toporkov. Much of the collection consists of materials Toporkov collected and used for a three-volume history of the Fifth Hussar Regiment (Pi︠a︡tĭ gusarskiĭ aleksandri ĭskiĭ polk), of which he had been a member. There are also materials concerning members of the regiment who emigrated after the 1917 Revolution. The correspondence (1919-1952) includes letters to and from members of several emigre military organizations. the manuscripts include essays and memoirs about the regiment during World War I and the Civil War (including several by Toporkov himself) as well as Toporkov's three-volume history of his regiment from the eighteenth century through 1929, the regiment museum, individual members of the regiment, regiment celebrations (1926-1935), the Court of Honor, and regiment financial affairs (1925-1948). Among the printed materials are clippings and materials relating to a number of emigre organizations.

The collection of printed materials consists of eighteen boxes of newspaper clippings, oversize clippings and various newspaper letters and flyers. The clippings cover the 1920-1975 period and deal with topics including: World War II, Soviet affairs, the Korean War, the Vietnam War, Russian literature, Asian affairs and such individuals as Stalin, Khrushchev, Solzhenit︠s︡yn and Sakharov. There are newsletters from the St. Sergius High School and the Tolstoy Foundation as well as a number of pamphlets on East European affairs.

Correspondence, manuscripts, photographs, documents, subject files and printed materials of Sergei Grigor'evich Svatikov (1878/1880?-1942), Russian lawyer, historian, publicist, and public figure. The correspondence includes letters from Mark Aldanov, Vladimir Burtsev, Ivan Efremov, Georgii Grebenshchikov, Grigorii Lozinskii, Sergei Mel'gunov, Nikolai Rubakin, George Vernadsky and Mark Vishniak. There is a notebook that belonged to Vera Zasulich. Among the photographs are pictures of Prince Adam Jerzy Czartoryski, Sergei Mel'gunov, and Aleksander Wielopolski. The manuscripts include several by Svatikov as well as many notes, lists and bibliographical compendia relating to his oeuvre. The subject files cover such areas as the Russian Reading Hall in Heidelberg, the Turgenev Library in Paris, and the Russkii akademicheskii soiuz (Groupe academique russe), also in Paris. The printed materials include clippings, materials from the Institute d'ʹetudes slaves, and a number of books by Svatikov.

The collection consists primarily of manuscripts and clippings of articles and stories Bel'deninov wrote in the 1950s and 1960s and published in such emigre periodicals as "Russkii Put'", "Nashe Vremia" and "Rossiia". Several memoirs by Bel'deninov touch on such topics as his education in Irkutsk and St. Petersburg, his legal practice before and during the revolutionary period, and the Civil War in Siberia.

The collection includes correspondence, photographs, manuscripts and printed materials. There are letters from Ekaterina Kuskova (Mrs. S.N. Prokopovich) and photographs of Mark Aldanov, Marie Curie, Aleksandra Kollontaĭ, Ekaterina Kuskova, Pavel Mili︠u︡kov, Mikhail Osorgin, Sergeĭ Prokopovich and Nadezhda Teffi among others. The manuscripts include drafts and typescripts for several dozen articles and chapters as well as untitled manuscripts and notes. The printed materials contain clippings and offprints of articles by Prokopovich, periodicals he edited, and copies of his major books.

The papers consist of correspondence, autograph books, manuscripts, photographs and printed materials. There are letters from Mark Aldanov, Ivan Bunin, Antonin Ladinskiĭ, Vasiliĭ Nemirovich-Danchenko, Alekseĭ Remizov, Ivan Shmelev, Nadezhda Teffi and Boris Zaĭt︠s︡ev, as well as one letter each from Konstantin Balʹmont, Aleksandr Grechaninov, Vladislav Khodasevich, Aleksandr Kuprin, and Vladimir Nabokov. The autograph albums (owned by Marii︠a︡ A. Berman and Potresov) cover the years 1906-1907 and 1913-1948, respectively, and have entries by Balʹmont, Ivan Bilibin, Bunin, Nabokov, and Maksimili︠a︡n Voloshin, among others. The manuscripts include a poem by Mother Marii︠a︡ and articles, diaries, and a play by Potresov. The printed materials primarily consist of clippings of Potresov's articles in newspapers and journals. In addition to the loose clippings, there are six scrapbooks with clippings of Potresov's articles pasted in.