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The Interfaith Center on Corporate Responsibility (ICCR) is a coalition of predominantly faith based institutions that are committed to socially responsible investing. The strength of the records lies in their documentation of the ICCR's programs, its work on individual issues, and its work with individual corporations and the U.S. Security and Exchanges Commission (SEC).

The Li Huang papers (李璜檔案) contain manuscripts of his political writings dating from 1929 to 1971, as well as reference materials for his memoir. The reference materials include collected books, periodicals, reports, letters, photographs, and news clippings. The collection mainly reflects Li Huang's political thoughts and his opposition to communism.

The K.P. Chen papers documented the banking and finance career of a banker, entrepreneur, and finance advisor, Kwang Pu Chen dating from 1936 to 1968. Materials in the papers include accounts, loan contracts, correspondence, telegrams, diaries, financial reports, , letters, news clippings, notes, photographs, press releases, printed materials, and reports.

The Patricia Koo Tsien and Kia Chi Tsien papers document the decades of internationally rooted lives of the Tsien couple, as well as family history materials on the Koo and Tsien families. The bulk of the papers consist of files associated with the professional and personal trajectories of Patricia Koo Tsien and Kia Chi Tsien, arranged in respective series. Also included are materials pertaining to the research of Koo and Tsien's family histories, in particular manuscripts, transcripts, and annotated copies of the Wellington Koo Memoir, and materials on Oei Huilan, Madame Wellington Koo.

This collection consists of copies of correspondence, articles, diaries, memoirs, and other manuscripts by and about the Blackwell family. Also, a small group of papers, including correspondence, documents, photographs, and printed papers, about the Rice family of New York.

These records document the history of the New York Chamber of Commerce and Industry, beginning with its establishment in 1768. Tracking the wax and wane of the organization's influence over the next two centuries, the collection provides a first hand account of the Chamber's many contributions to New York City and State business and development. These records exist in a wide variety of formats, such as bulletins, correspondence, minute books, and printed materials.

The collection consists of materials used by Frederick Fried in his research and writing about folk art and material culture, especially related to Coney Island, Brooklyn, New York. A significant portion of the collection consists of the personal archive of William F. Mangels, which was purchased by Fried in 1955. Mangels was a designer and manufacturer of amusement rides and founder of the American Museum of Public Recreation at Coney Island. Subjects include amusement parks, amusement rides, architecture, bathing pavilions, beaches, beauty contests, carousels, carousel animals, Brooklyn, coin-operated machines, Coney Island, exhibitions, games of chance and skill, hotels, mechanical rides, mechanization, parades, pleasure railways, recreation, roller coasters, sideshows, transportation, and other subjects related to American material culture and popular amusement.

This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.

The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.

This collection contains of Publishers Weekly's reference files on publishing houses. Most of the records consist of clippings from Publishers Weekly, but the files also include clippings from other sources, as well as advertisements, annual reports, brochures, catalogs, commemoratives, correspondence, histories, legal records, obituaries, programs, prospectuses, and survey responses.