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Contents include correspondence, articles, reports, photographs, clippings, printed materials and floppy disks documenting the career of Professor Robert Pollack at Columbia University as Professor of Biology (1978-present) Dean of Columbia College (1982-1989) Director of CSSR (1999-present) and Director of University Seminars (2010-present).

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

The papers consist of correspondence, manuscripts, documents, subject files, photographs, and printed materials, and chiefly concern the post-1917 emigration; the Rodichevs settled in Switzerland. There is a great deal of family correspondence, including letters from Fedor I. Rodichev to his wife and daughter, letters from their niece Nina Vernadsky (Mrs. George), and from relatives in Soviet Russia in the 1920s and 1930s. There are many letters by Fedor I. Rodichev to Ivan and Anastasii︠a︡ Petrunkevich, and to Natalii︠a︡ Herzen fille. There are also letters to the Rodichevs from such Kadet leaders as Nikolaĭ Astrov, I︠O︡sif Gessen, Vasiliĭ Maklakov, Pavel Mili︠u︡kov, Sofii︠a︡ Panina, and Ivan Petrunkevich, and items by Aleksandr I. Herzen, Nikolaĭ Ogarev, and Ignacy Jan Paderewski. Manuscripts include memoirs and other writings, with many notes and fragments, written by Fedor Rodichev while in exile. There is also Aleksandra Rodicheva's biography of her father, and materials used by Kermit McKenzie to prepare his edition of Fedor Rodichev's memoirs. Subject files concern such topics as the Russian Civil War, the emigration, and the Rodichev and Herzen families. Among the photographs, which are chiefly of the Rodichevs and their friends and relatives, are two portraits of Giuseppe Garibaldi. Printed materials include clippings and offprints of works by Fedor Rodichev, and some books by, or relating to, members of the Herzen family.

The correspondence is primarily with member clubs throughout Europe, and the manuscripts are chiefly minutes of federation and club meetings. Also included in the collection are several photographs, some financial records, a file on the women's team, clippings, programs and four issues of the federation's illustrated year-book.

Collection of Russian and Eastern European emigre newspapers and periodicals published in Europe, North America, South America and Australia in the 20th century, also includes a number of newspapers published in Russia and the Soviet Union.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Correspondence, manuscripts, photographs, and printed materials of Toporkov. Much of the collection consists of materials Toporkov collected and used for a three-volume history of the Fifth Hussar Regiment (Pi︠a︡tĭ gusarskiĭ aleksandri ĭskiĭ polk), of which he had been a member. There are also materials concerning members of the regiment who emigrated after the 1917 Revolution. The correspondence (1919-1952) includes letters to and from members of several emigre military organizations. the manuscripts include essays and memoirs about the regiment during World War I and the Civil War (including several by Toporkov himself) as well as Toporkov's three-volume history of his regiment from the eighteenth century through 1929, the regiment museum, individual members of the regiment, regiment celebrations (1926-1935), the Court of Honor, and regiment financial affairs (1925-1948). Among the printed materials are clippings and materials relating to a number of emigre organizations.