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Included are 60 photographs, approximately half of which show architectural drawings and models of the New York State Capitol at Albany, and views of the Capitol under construction, circa 1860s-1880s. These primarily show the work of Eidlitz, Richardson and Company, who designed the Capitol. Projects of Fuller and Laver and I. G. Perry for the Capitol are also depicted. The rest of the photographs show other projects by Leopold Eidlitz and his firm including the American Exchange Bank, New York City, 1857; Broadway Tabernacle, New York City, 1859; the Continental Bank, New York City, 1856; the Cooper Union, New York City, circa 1886; Dry Dock Savings Bank, New York City, 1875; and Temple Emanu-El, New York City, 1868. Also, unidentified buildings, and buildings by other architects, including Cyrus W. Eidlitz (Association of the Bar of New York, Main Library, New York City, 1895), and Robert H. Robertson (Phillips Presbyterian Church, New York City, 1874). Two original drawings by Eidlitz of Christ Church, St. Louis, Missouri, circa 1859, and a competition design for the New York City Crystal Palace, circa 1852.

This small collection contains primarily photographs, supplemented by a very few architectural drawings, specifications, and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, in the New York City region and in other locations in the United States. It also includes reference materials and a photograph of Betram Goodhue's New York City office.

This collections contains the professional research, writing, publications, and correspondence produced and collected by Rattner through her study of the architect James Renwick, Jr. The bulk of Rattner's research addresses the life and works of Renwick, but other research topics represented in her papers range from the Renwick family genealogy to the institutional architecture of New York City. Types of research material include personal research notes (in notecard format, both typed and holograph), correspondence (1963-2001), newspaper and magazine clippings, Xerox copies of archival material and secondary sources, transcribed articles and correspondence, brochures from historic sites, photographs and slides of buildings and sites, sketches, historic structure inventory forms, landmark nomination forms, landmark designation reports, and postcards.

Also, minutes kept by Richard Michell Upjohn for the American Institute of Architects, New York Chapter, Committee for Library and Publications, 1868-1877, and Executive Committee, 1867-1889; sketchbooks, 1850s-1870s; photographs of Upjohn buildings and portraits of Richard Upjohn; correspondence, wills, memorial tributes, manuscripts, printed material, and miscellaneous personal and business documents; and several drawings by other architects including Alexander Jackson Davis, Hobart Brown Upjohn, and Calvert Vaux