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Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

Seven volumes of minutes and financial records including two cash books, 1874-1891 and n.d.; four secretary's minute books, 1863-1928, and one donations book, 1921-1927.

This collection consists of ten volumes of business records connected with the operation of Daly's Theatre between 1872 and 1899. Included are cash account books recording income and expenditures, rosters of personnel, attendance books for members of the company, salary accounts, receipt books, and one volume having to do with directions for the settings for various plays.

This archive consists of manuscripts, business files, production materials, and correspondence from 1966 -2012. The journal Hanging Loose was first published in 1966 was preceded by the journal Things, begun by two Columbia College students Emmet Jarrett and Ron Schreiber, Hanging Loose Press founders. The most recent issue #101 was published in 2013. The press has also published books, mostly poetry. The selection process is collective and inclusive. Hanging Loose publishes high school students and has dedicated issues to literature written by prison inmates. HL published Hettie Jones, long-time Columbia-affiliated poet Paul Violi, Jack Agueros, Sherman Alexie, and Charles North, as well as many of the collective members. Denise Levertov is a former board member.

The collection contains correspondence with the authors, including contracts signed with authors as well as negotiations with the authors over various aspects of publishing their works; financial records documenting many aspects of the operation of Harper & Brothers, including royalties paid to authors, records of stock offerings and company reorganizations, and general ledgers which contain daily notes on all aspects of the operation of the business; book catalogues and trade lists; research materials collected by Eugene Exman for his history of Harper & Brothers; visual materials, from drawings and photographs of Harper's authors to colophon designs and an oil painting of the original Harper's building.

Papers of Stillman include over 100 items pertaining to the business enterprises of his father, Charles Stillman of Brownsville, Texas, who was engaged in shipping and trade, real estate, and railroad investment. A large portion of the collection documents of James Stillman's activities in banking, in railroad financing, and in other of his business and industrial interests. The letters, legal documents, and miscellaneous papers are representative of the entire span of his career. Included in the correspondence are letters from many prominent financiers and industrialists of his day, including many from William Rockefeller; letters from President Grover Cleveland, some personal in nature and some concerned with business transactions; nine letter books of James Stillman, covering the years 1886-1897, 1906-1918; letter books of his secretary Miss K. Bredin, 1908-1916; journals for the years 1889, 1891, 1898, 1899; bank book recording Stillman's drafts, 1911-1914, on the London firm of Baring Brothers; four diaries, 1881-1884; six notebooks; one cash and journal and one ledger, 1868-1871.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.