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Almost all the materials concern World War II in the Soviet Union. Materials include reports, two diaries, documents, and printed materials. There are photocopies of reports concerning the German occuation of Eastern Europe and the Soviet Union, written by German military staff, and a mimeographed research report by Alexander Dallin entitled "Kaminsky: The History of an Experiment (1941-1945)." One diary is by Otto Bräutigam, a German Foreign Ministry official who worked in the Ministry for the Occupied Eastern Territories; the other diary is by one Linge, apparently a secretary to Hitler, for his diary is a record of Hitler's daily appointments from 1934-1943. Both diaries are photocopies. The printed materials include issues of a number of titles published mostly in the German-occupied parts of the Soviet Union; they are mostly single issues. Two pamphlets published by the Russian Liberation Army (ROA). There are photocopies of documents, cartoons, and leaflets concerning the partisan movement in the Soviet Union.

Woodcuts, part colored, of cartoons drawn by Alfred Frueh (1880-1968) of theatrical personalities: Maude Adams, George Arliss, Ethel Barrymore, George M. Cohan, Katharine Cornell, John Drew, Robert Edson, Lionel Erroll, Lew Fields, Yvette Gilbert, William Gillette, Nat Goodwin, Annette Kellerman, Wilton Lackaye, Julia Marlowe, Nazimova, Olga Petrova, Will Rogers, Fritzi Schiff, Fred Stone, Sophie Tucker, and unidentified.

Manuscripts, proofs, and printed editions of Scheinfeld's books on human heredity, YOU AND HEREDITY, WOMEN AND MEN, and THE NEW YOU AND HEREDITY. Sketches and line drawings used as illustrations in the books are included. Also, manuscripts and clippings of his magazine articles; many examples of his comic strips, including "Dixie Dugan;" and correspondence and financial documents about his works.

Papers of Lobeck while he was in Paris as Assistant to the Chief Cartographer of the American Commission to Negotiate Peace. Included are memorabilia, some correspondence, several docuements, and some photographs. The correspondence consists of his letters of appointment from Robert Lansing, Secretary of State, and his postcards to his wife, Bertha Merrill Lobeck, who later joined him in Paris. There are official documents such as passports, Commission memoranda, identification cards, and passes. Of particular interest are sixteen photographs of persons and places in France, and one drawing and one caricature of Lobeck that he sketched. The collection, however, is chiefly memorabilia of Lobeck's crossing the Atlantic on the U.S.S. George Washington with the members of the Commission; over 700 picture postcards, with no messages, of the Lobeck's travels in France, Spain, Great Britain, and other European countries; railway, subway, and bus maps, schedules, and tickets; tourist maps; hotel and restaurant receipts and menus; money; ration coupons; and theater programs.

Playscripts, notes, caricatures, rehearsal lists, playbills, a flyer, and newspaper reviews and clippings for THE CRUCIBLE by Arthur Miller. THE CRUCIBLE, a drama about the Salem witch trials of 1692, was first produced in Wilmington in January 1953 and opened in New York in June 1953. The playscripts show the working notes of Arthur Miller and of Jed Harris, the director.

This collection consists of 35 drawings, one clipping, and one copy of the Yiddish newspaper "The Big Stick" (December 24,1920 - fragile). It contains political content, as well as a drawing of Boris Bakhmeteff, another of Brander Matthews, and a cartoon referring to Florenz Ziegfeld.

Papers, correspondence, manuscripts, clippings, and printed material relating to Dr. Bela Fabian's activities against the Communist government of Hungary. One microfilm reel of Hungarian political cartoons, including many caricatures of Fabian. Also, eighteen political cartoons by Bela and Ilona Fabian done at the time of the Cuban Missile crisis in 1961. These tend to be anti-Castro and anti-Khruschev.

Correspondence, photographs, and printed material by and relating to Benjamin Disraeli. There are nine letters from Disraeli to various persons including Sir Charles Adderly, First Baron Norton; the Duke of Northumberland; and Sir Henry Edwards. The letters span the dates 1849 to 1879. Also included are two letters from Disraeli's father, Isaac D'Israeli, 1766-1848, to Stephen Weston, 1805, and Edward Moxon, 1833, and a post card from William Ewart Gladstone. A letter from William Lamb, 2nd Viscount Melbourne to Sir William Owen (1837) has been removed from an extra-illustrated edition of "The Letters of Runnymede" (London, 1836) and cataloged for the collection.

A collection of letters, engravings, prints, portraits, caricatures, other illustrations, and printed materials relating to Charles Dickens. Among the letters is an autograph letter by Dickens and copies of several Dickens letters to the publishers Lea & Blanchard. Many of the illustrations are portraits of Dickens while others are illustrations for his novels and stories, including numerous illustrations of scenes from dramatic versions of his works as well as some playbills for these productions.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

A miscellaneous collection of World War II propaganda and memorabilia. Among the European items are samples of propaganda dropped from Allied aircraft, clippings, cartoons, and other printed ephemera in English, French, German, and Russian. For the war in the Pacific there is a complete set of Japanese language leaflets issued by the United States Army Forces, Pacific Area, Psychological Warfare Branch. These leaflets, including English translations, were used by General Douglas MacArthur's forces to induce the Japanese to surrender. In addition there is a collection of forty-eight German books removed from a German military field library and warehouse in France by American Army personnel. These works were revised during the 1930s to reflect the Nazi viewpoint. Also, a scrapbook of photographs and newspaper clippings on the laying of the cornerstone for a home for expectant mothers in Römhild (Thuringia) Germany, 1939.

The collection will eventually encompass his original art, sketchbooks (dating back to high school), correspondence, and the legal records of the lawsuit lodged against him by political cartoonist Ted Rall. The present installment includes original art on acetate from the years 1995 and 1996.

Correspondence, manuscripts, original political cartoons, printed and photostatic materials relating to the political and social activities of the Society of Tammany, or Columbian order. Most of the correspondence is concerned with the formation of the Kilroe Tammaniana Collection, Kilroe's collection of books, documents, manuscripts, posters, cartoons, etc. relating to Tammany Hall. Also, letters from various members of the Tammany organization. The manuscripts include typescripts of Kilroe's works such as A COMPLETE BIBLIOGRAPHY OF SAINT TAMMANY and TAMMANY HALL AND THE TAMMANY SOCIETIES IN THE UNITED STATES. In addition there are manuscript and typescript records of various Tammany Societies with particular emphasis on the New York City Society and the New York County Democratic Party organization. Among the cartoons are 22 by John Tinney McCutcheon (1870-1949), over half of which deals with Tammany and New York politics while the remainder concerns national politics with an emphasis on presidential campaigns.

Personal correspondence, speeches, subject files, photographs, and printed and miscellaneous material of Hogan. The correspondence, speeches, and other material relate primarily to his activities as District Attorney, and to his unsuccessful campaign for the U.S. Senate, 1958. The papers also reflect Hogan's deep concern for Columbia University, as a Trustee and a member of numerous alumni committees. Among the major correspondents are Harry J. Carman, Dwight David Eisenhower, Robert F. Kennedy, Arthur Hays Sulzburger, and Herbert Bayard Swope.

A photostatic copy of the diary of Strong. The diary, running without interruption from Oct. 1835 through June 1875, contains a wealth of information about life in New York City. Its scope broadens to include the national scene with the outbreak of the Civil War. There is also a miscellaneous assortment of approximately 150 photostatic copies of personal correspondence with family and friends, correspondence during his term as treasurer of the U.S. Sanitary Commission, original drawings, caricatures and doodlings, invitations, guest lists, theater and concert programs, newspaper clippings, a family tree, and photographs. Includes typed index of Columbia references in Strong's diary.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

A collection of more than 300 drawings and sketches. Notable are the 60 sheets of drawings made during his trip to Russia in the company of other western journalists. The major portion of the collection comprises the file of sketches and caricatures of leading personalities in public life and the arts made by Rosenberg from the 1920s to the 1950s, including those of Jane Addams; George Arliss; Max Baer; Theda Bara; Enrico Caruso; Feodor Chaliapin; Ina Claire; Walter Damrosch; Jack Dempsey; Elsie Janis; Beatrice Lillie; Groucho Marx; Mae Murray; Ezio Pinza; William Howard Taft; Peggy Wood; Israel Zangwill; and numerous other entertainers, sportsmen, politicians, and writers

The collection consists of 32 letters written by Samuel L. Clemens to Mary Benjamin Rogers (Mrs. H.H.), his niece by marriage, and four letters written to Clemens and forwarded by him to Mrs. Rogers with comments. The letters are very personal in tone, full of Clemens' well-known wit, and revealing of his personal characteristics. There are a few clippings, cartoons, and one photograph. Also, a collection of 18 letters written by Clemens to Dorothy Sturgis, 1908-1909, relating to the "Angel-Fish Aquarium." There is also one typescript of the Constitution of the Club"The Aquarium, Issued by the Admiral;" and a photograph album of the Mark Twain Dinner, 1905.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

The archive includes original comic art from his time at DC Comics, including the series he created, "'Mazing Man;" his Eisner-nominated graphic novel, "Lucky in Love;" and storyboards for "Venture Bros.," "Ren & Stimpy," etc., along with early comic art, sketchbooks, minicomics, and more. This collection reveals a working cartoonist's process, and also relates to the Danny Hellman, Bob Fingerman, and New York Comics Community collections.

Correspondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.

Correspondence, manuscripts, typescripts, contracts, legal briefs, patents, and other documents, music scores, cartoons, technical drawings, account books, blueprints, photographs, clippings, printed legal briefs & transcripts, proofs, scrapbooks, and other printed materials of William M. Speer.