Search Results
Adolph Oko collection of Spinoza materials, 1610-1958, bulk 1914-1958
13 linear feetAmram Scheinfeld papers, 1915-1975
24 linear feetManuscripts, proofs, and printed editions of Scheinfeld's books on human heredity, YOU AND HEREDITY, WOMEN AND MEN, and THE NEW YOU AND HEREDITY. Sketches and line drawings used as illustrations in the books are included. Also, manuscripts and clippings of his magazine articles; many examples of his comic strips, including "Dixie Dugan;" and correspondence and financial documents about his works.
Armin Kohl Lobeck papers, 1918-1919
1 boxPapers of Lobeck while he was in Paris as Assistant to the Chief Cartographer of the American Commission to Negotiate Peace. Included are memorabilia, some correspondence, several docuements, and some photographs. The correspondence consists of his letters of appointment from Robert Lansing, Secretary of State, and his postcards to his wife, Bertha Merrill Lobeck, who later joined him in Paris. There are official documents such as passports, Commission memoranda, identification cards, and passes. Of particular interest are sixteen photographs of persons and places in France, and one drawing and one caricature of Lobeck that he sketched. The collection, however, is chiefly memorabilia of Lobeck's crossing the Atlantic on the U.S.S. George Washington with the members of the Commission; over 700 picture postcards, with no messages, of the Lobeck's travels in France, Spain, Great Britain, and other European countries; railway, subway, and bus maps, schedules, and tickets; tourist maps; hotel and restaurant receipts and menus; money; ration coupons; and theater programs.
Charles Saxon papers, 1940-1989
19 linear feetSketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career
George Templeton Strong Diary, 1835-1875
7 linear feetA photostatic copy of the diary of Strong. The diary, running without interruption from Oct. 1835 through June 1875, contains a wealth of information about life in New York City. Its scope broadens to include the national scene with the outbreak of the Civil War. There is also a miscellaneous assortment of approximately 150 photostatic copies of personal correspondence with family and friends, correspondence during his term as treasurer of the U.S. Sanitary Commission, original drawings, caricatures and doodlings, invitations, guest lists, theater and concert programs, newspaper clippings, a family tree, and photographs. Includes typed index of Columbia references in Strong's diary.
Joseph Urban papers, 1893-1998
135 linear feetCollection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.
Manuel Rosenberg papers, 1920-1950
1 linear feetA collection of more than 300 drawings and sketches. Notable are the 60 sheets of drawings made during his trip to Russia in the company of other western journalists. The major portion of the collection comprises the file of sketches and caricatures of leading personalities in public life and the arts made by Rosenberg from the 1920s to the 1950s, including those of Jane Addams; George Arliss; Max Baer; Theda Bara; Enrico Caruso; Feodor Chaliapin; Ina Claire; Walter Damrosch; Jack Dempsey; Elsie Janis; Beatrice Lillie; Groucho Marx; Mae Murray; Ezio Pinza; William Howard Taft; Peggy Wood; Israel Zangwill; and numerous other entertainers, sportsmen, politicians, and writers
Rockwell Kent papers, 1885-1970
59 linear feetSamuel and Bella Spewack papers, 1920-1980
67 linear feetCorrespondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.
Tibor Gergely papers and drawings, 1935-1977
9 linear feetCorrespondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.