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Woodcuts, part colored, of cartoons drawn by Alfred Frueh (1880-1968) of theatrical personalities: Maude Adams, George Arliss, Ethel Barrymore, George M. Cohan, Katharine Cornell, John Drew, Robert Edson, Lionel Erroll, Lew Fields, Yvette Gilbert, William Gillette, Nat Goodwin, Annette Kellerman, Wilton Lackaye, Julia Marlowe, Nazimova, Olga Petrova, Will Rogers, Fritzi Schiff, Fred Stone, Sophie Tucker, and unidentified.

Written drafts, process drawings, and proofs for some of his longer-form works, including the comic he's best known for, Minimum wage, as well as original comic strip art from his own collection. These papers are part of a larger project to collect representative materials from the New York City comics scene.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

A teaching collection of original comic art, much of which sheds light on various historical styles or techniques. Accompanied by several comic books. Materials includes daily newspaper strip art, Sunday newspaper strip art, single-panel cartoons, comic book pages, and related comics material, such as printing plates and ephemera.

Files related to the Comic Code Authority. Includes original and photocopied correspondence, memos, and minutes of the CMAA and Code Authority; copies of the code; and a photocopy of a comic about the code.

Comic art and related material.

Two letters (fragmanted) and four postcards, written to Ester Meyers [sic] and sent from France in 1917/1918 by future illustrator and cartoonist George Mann Shellhase. One letter and three postcards are illustrated; the fourth postcard is Shellhase's promotional card.

A collection of unparalleled documentation of Golden Age artists and publishers, much of which has not been seen by the public.

Comic art by such artists as Fred Fredericks; Giancarlo Malagutti; Joe Orlando; Jack Sparling, etc.