Search

A collection of letters, engravings, prints, portraits, caricatures, other illustrations, and printed materials relating to Charles Dickens. Among the letters is an autograph letter by Dickens and copies of several Dickens letters to the publishers Lea & Blanchard. Many of the illustrations are portraits of Dickens while others are illustrations for his novels and stories, including numerous illustrations of scenes from dramatic versions of his works as well as some playbills for these productions.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

Correspondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.

Personal correspondence, speeches, subject files, photographs, and printed and miscellaneous material of Hogan. The correspondence, speeches, and other material relate primarily to his activities as District Attorney, and to his unsuccessful campaign for the U.S. Senate, 1958. The papers also reflect Hogan's deep concern for Columbia University, as a Trustee and a member of numerous alumni committees. Among the major correspondents are Harry J. Carman, Dwight David Eisenhower, Robert F. Kennedy, Arthur Hays Sulzburger, and Herbert Bayard Swope.

Cataloged photographs are of Antonʹin Sv̌ehla and Edvard Beneš/ Other photographs portray a convalescent home, a secondary school, the Zemgor library in Prague, the Zemgor staff, and the staff of the Russkiĭ Zagranichnyĭ Istorichesskiĭ Arkhiv (Russian Historical Archive Abroad). Also included are charts of contributions and programs, and a caricature apparently of Russian activists in Czechoslovakia.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

A collection of more than 300 drawings and sketches. Notable are the 60 sheets of drawings made during his trip to Russia in the company of other western journalists. The major portion of the collection comprises the file of sketches and caricatures of leading personalities in public life and the arts made by Rosenberg from the 1920s to the 1950s, including those of Jane Addams; George Arliss; Max Baer; Theda Bara; Enrico Caruso; Feodor Chaliapin; Ina Claire; Walter Damrosch; Jack Dempsey; Elsie Janis; Beatrice Lillie; Groucho Marx; Mae Murray; Ezio Pinza; William Howard Taft; Peggy Wood; Israel Zangwill; and numerous other entertainers, sportsmen, politicians, and writers

The collection consists mostly of his original drawings for Russian periodicals, including "Odesskiĭ listok" Odesskie novosti" "Ruĺ" and "Vozrozhdenie" and also for various French titles. There is also correspondence, including single letters from such emigre figures as Ivan Bunin and Pavel Mili︠u︡kov; a manuscript of Nadezhda Teffi's "Nichego Podobnogo" with Drizo's drawings of its characters; and copies of two books illustrated by Drizo: MAD"Tak bylo" (Odessa, 1918), and S. Chernyĭ"Zhivai︠a︡ azbuka" (Berlin, 1922) (the original drawings for the latter work are also included).

The collection consists of correspondence, manuscripts, case files, a few subject files, printed material and three caricature drawings of Filonenko. By far the greatest amount of material is in the form of manuscripts and case files. The manuscripts fall into two categories: notes and drafts, written in French, dealing with legal matters, and a diary, containing a large number of clippings, in which Filonenko chronicles and comments upon events in Russia, Eastern and Western Europe during the period 1918-1920. The case files, primarily from the 1930s, contain materials gathered in the process of defending his clients, chiefly Russian emigres, before the French courts. Included among these are the records of Filonenko's defense of Nadezhda Plevitskai︠a︡-Skoblin in the General Miller kidnapping trial in 1937-38.