Search Results
Adolph Oko collection of Spinoza materials, 1610-1958, bulk 1914-1958
13 linear feetAlumni Federation Cards, 1750s-1970s, bulk 1880s-1940s
40 linear feetAnnie Laurie Williams records, 1922-1971
91 linear feetCorrespondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor
Carlos Federico Díaz Alejandro papers, 1957-1985
40 linear feetCatalogus Translationum et Commentariorum records, 1946-1985
6 linear feetManuscripts, subject files, index cards, printed materials and microfilms relating to the CATALOGUS TRANSLATIONUM ET COMMENTARIORUM. The two manuscripts are contemporary and deal with the letters of St. Basil. The subject files include correspondence, notes, and printed materials providing largely biographical information on a wide range of medieval translators and commentators. The index cards list the present day locations of many relevant medieval and renaissance books and manuscripts. The printed materials include photostatic copies and negatives of medieval texts as well as catalog listings of and articles about these texts and their authors. The microfilms, some of which are negatives, are of some of the relevant medieval and renaissance works
Civic Legislative League records, 1949-1952
8.5 linear feetColumbia University. School of Library Service. Alumni collection, 1887-1967
35 linear feetCorrespondence, memoranda, reports, etc.
Congressional Vote Analysis : card Index, 1789-1942
36 linear feetFiles of the Congressional Vote Analysis and Allied Work Phases were stored at Columbia by the WPA at the termination of the Historical Record Survey. The material was listed in inventory form. This collection was sent to the University of Michigan so that its contents could be transferred into a computer data storage system. The files of roll-call votes and summaries of their contents are now available on magnetic tape. The files of approximately 20,000 maps, the correspondence files, and the research files are now housed at the National Archives in Washington. Columbia now retains only the card index to the collection.
Edmund Clarence Stedman papers, 1840-1960
120 linear feetPersonal and professional papers of Stedman, including correspondence, letter books, diaries, poetry manuscripts, scrapbooks, photographs, and genealogical materials for the Stedman and Dodge families. Correspondence and manuscripts of his mother, Elizabeth Clementine Dodge Stedman Kinney (1810-1889), poet and diarist, and of his granddaughter, Laura Stedman Gould (1881-1941), author and editor. Also, editions of Stedman's LIBRARY OF AMERICAN LITERATURE including printed materials relating to the marketing; and an album of Civil War photographs by Mathew Brady, inscribed by the photographer to Laura H.W. Stedman as well as additional loose photographs by Brady.
Edward William Mammen papers, 1940-1946
5.5 linear feetCorrespondence, manuscripts, notecards, tabulation sheets, microfilms, photographs, and photostats. The bulk of the collection is made up of his Columbia University doctoral dissertation, THE OLD STOCK COMPANY SCHOOL OF ACTING; A STUDY OF THE BOSTON MUSEUM, and related research materials. The dissertation, published in 1945, uses the Bostom Museum Stock Company to exemplify the nature of American dramatic arts in the nineteenth century vis-a-vis professional theater organizations and their dual purpose of producing shows and training actors. The research materials appear in a variety of formats: chronological lists on notecards recording the actors that performed in particular plays; tabulation sheets that fulfill many purposes, such as recording each actor's experience, the roles the actors played, and the years that they were active with the company. Photographs include those taken of theater sets, actors in costume, and pictures of the Museum building. Photostats and microfilms are almost entirely reproductions of advertisements and flyers
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