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Consists of manuscript cards comprising a bibliography of works on Morocco. It has an alphabetical arrangement by individual authors, titles, and subjects, and includes books, periodical articles, monographs, etc

Manuscripts, subject files, index cards, printed materials and microfilms relating to the CATALOGUS TRANSLATIONUM ET COMMENTARIORUM. The two manuscripts are contemporary and deal with the letters of St. Basil. The subject files include correspondence, notes, and printed materials providing largely biographical information on a wide range of medieval translators and commentators. The index cards list the present day locations of many relevant medieval and renaissance books and manuscripts. The printed materials include photostatic copies and negatives of medieval texts as well as catalog listings of and articles about these texts and their authors. The microfilms, some of which are negatives, are of some of the relevant medieval and renaissance works

Files of the ESCO Fund Committee, Inc. and its related foundations ESCO Foundation for Palestine and ESCO, Friends, Inc. The files contain correspondence, reports, clippings, Board minute books, photographs and ESCO publications. Among the correspondence are Stephen Wise, Theodore Kolleck, Ernest Bloch, and Leonard Bernstein. The collection also includes papers relating to Frank and Ethel Cohen's personal (i.e., non-ESCO) Zionist and Jewish interests.

Correspondence, manuscripts, notecards, tabulation sheets, microfilms, photographs, and photostats. The bulk of the collection is made up of his Columbia University doctoral dissertation, THE OLD STOCK COMPANY SCHOOL OF ACTING; A STUDY OF THE BOSTON MUSEUM, and related research materials. The dissertation, published in 1945, uses the Bostom Museum Stock Company to exemplify the nature of American dramatic arts in the nineteenth century vis-a-vis professional theater organizations and their dual purpose of producing shows and training actors. The research materials appear in a variety of formats: chronological lists on notecards recording the actors that performed in particular plays; tabulation sheets that fulfill many purposes, such as recording each actor's experience, the roles the actors played, and the years that they were active with the company. Photographs include those taken of theater sets, actors in costume, and pictures of the Museum building. Photostats and microfilms are almost entirely reproductions of advertisements and flyers

Correspondence, manuscripts, drafts, notes, journals, scrapbooks, audio tapes, datebooks and calendars, photographs, printed material, and memorabilia. Included are files relating to articles which she researched and wrote while on the staff of LIFE magazine, especially on popular figures in current literature and the arts. There are also research files and typescripts for her books: PLEASE TOUCH, A DIFFERENT WOMAN, and FAMILIES. Among the correspondents are: Paul Bowles, Agnes de Mille, Ken Kesey, and Hope Cooke Namgyal

Correspondence, manuscripts, notes, memoranda, notebooks, notecards, proofs, photographs, microfilms, and printed materials. The Papers include the manuscript research materials and correspondence for each of his books except his biography of Theodore Dreiser. Among the correspondents are William Benton, Bruce Catton, Carey McWilliams, Mrs. Fremont Older (Cora Miranda Baggerly Older), and Thornton Wilder.

The files of the literary agency include correspondence with authors, publishers, and other agents and deal with editing and publishing, serial rights, reprints, dramatic rights, translations and foreign rights, promotion, copyright registration, contracts, royalty statements, tax statements, and other financial materials, and the personal affairs of many clients. Among the cataloged correspondents are: Louis S. Auchincloss, Erskine Caldwell, Herbert Gold, Alberto Moravia, Eleanor Roosevelt, and Rebecca West.