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Woodblocks, linoleum blocks, wood and linoleum tools, wooden types, metal types, books, proofs, and special printings. Included are woodblocks and linoleum blocks of illustrations and decorations for Walt Whitman's SHORT STORIES (Columbia University Press, 1927), De La Motte Fouqué's UNDINE (Limited Editions Club, 1930), and Sir Walter Scott's IVANHOE (Limited Editions Club, 1940). There are several metal types designed and cast for Lewis; full or nearly full alphabets of special wooden types designed and cut by Lewis in both 216 pt. and 144 pt. sizes; specimens of his wood and linoleum tools, mainly of his own manufacture; books containing illustrations, decorations, and special types by Lewis; proofs of bookplates he designed; and proofs and special printings of various plates.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings. The collection also includes 3 series of books: Macy-Masius Readers Club, Readers Club and Heritage Press. Macy Memorial Limited Addition Club books were cataloged individually as MACYMEM

Letters and manuscripts by George Sterling, including three personal letters, drafts of four poems, a 15 page typescript of his poem "Yosemite", inscribed to his friend Fenner Hale Web, a 95 page typescript of his verse drama "Lilith", and a bibibliography of Sterlings works by Sterling in 1925. Also includes two sheets signed and addressed by Sterling, 8 photographs of Sterling, and a printed copy of his bookplate.

Correspondence, research notes, articles, clippings, photostats, and photographs. These files concern his interest in Pierre Bayle, Antoine Arlier, and the Renaissance in Provence, as well as the Romanic Review, philology, French, Spanish, and celtic studies. Among the correspondents are: Philippe Berthelot, Nicholas Murray Butler, F.R. Coudert, John H. Finley, the Prince de Ligne, Curtis Hidden Page, William B. Parsons, and Aime ́Puech.

Included are photocopies of Cret's architectural drawings for the Hartford County Building, Hartford, Conn., 1926-1927; the Federal Reserve Building, Washington, D.C., 1936; the Folger Shakespeare Library, Washington, D.C., 1929; and miscellaneous projects. Also, Cret's sketches for monuments (including studies for the Quentin Roosevelt Fountain, 1919), covers and title pages for publications, a bridge, a bas-relief, a map, a medal, and a bookplate, circa 1901-1931. Includes one student drawing from the Ecole des Beaux Arts.

Correspondence, manuscripts, memorabilia, photographs, phonograph and tape recordings, and printed files. Included are Cerf's personal correspondence files, 1929-1945, and the diaries and scrapbooks which he maintained from his school days throughout his active career. The diaries, in date-book format, contain terse notes on Cerf's meetings with authors and friends, on his travels and publishing activities; the scrapbooks contain correspondence and photographs, as well as memorabilia and printed items, and were annotated by Cerf and his wife, Phyllis Fraser Cerf Wagner. Also in the collection are manuscripts and proofs for Cerf's books including "The Laugh's on Me""Treasury of Atrocious Puns""The Sound of Laughter""Stories to Make You Feel Better", and "At Random: the Reminiscences of Bennett Cerf", which was edited by Phyllis Cerf Wagner and Albert Erskine, 1977. The papers also include condolence letters written at the time of Cerf's death, photographs and photo albums,certificates and awards, and miscellaneous printed material, including Random House and Modern Library catalogues. Among the major correspondents are: Truman Capote, Dwight D. Eisenhower, Edna Ferber, Moss Hart, J. Edgar Hoover, Hubert Humphrey, Lyndon B. Johnson, John Lindsay, Joshua Logan, John O'Hara, Jacqueline Onassis, Richard Rodgers, Franklin D. Roosevelt, Gertrude Stein, Adlai Stevenson, Harry Truman, and Robert Penn Warren