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John Leonard papers, 1939-2015, bulk 1950s-2008

26.5 linear feet
Abstract Or Scope
John Leonard (1939 -2008) was an American literary and cultural critic best known for his extensive writing on literature, television, media, politics and American culture and his work as head editor of The New York Times Book Review in the 1970s. The John Leonard papers include drafts of Leonard's reviews, essays, essay collections, and works of fiction and nonfiction. The collection also includes his correspondence with prominent literary and cultural figures, his research and business files, personal memorabilia, photographs, signed artwork, printed matter, posthumous tributes to Leonard, and audio-visual material.
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Pantheon Books records, 1944-1968

18 linear feet
Abstract Or Scope

The editorial and production files of Pantheon Books from 1944 through 1968. The correspondence from authors, agents, and publishers is written to Kurt and Helen Wolff, Jacques Schiffrin, André Schiffrin, and the editors of the firm. The files document the publication of works by A. Alvarez, Georges Bernanos, Hermann Broch, Jacob Burckhardt, Albert Camus, William Demby, Eugene Ionesco, Karl Jaspers, Winifred Bryher, Jacques Maritain, Isamu Noguchi, José Ortega y Gasset, Pier Paolo Pasolini, Sir Herbert Read, Ben Shahn, and others.

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Random House records, 1925-1999

702 linear feet
Abstract Or Scope

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

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Rochelle Owens papers, 1900-2022

10.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

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Ronald Firbank papers, 1896-1976

3 linear feet
Abstract Or Scope

Correspondence, manuscripts, photographs, art work, and printed material of and concerning Ronald Firbank. Included are nine letters from poet Alfred Douglas, seven from artist Albert Rutherston, four from Rollo Talboys, then schoolmaster at Wellington College, and forty-two letters from Firbank himself to his publisher Grant Richards and his manager George Wiggins. There are four letters from his mother, Lady Harriet, to the publisher and one letter from his father, Joseph Thomas Firbank, while serving in the House of Commons, 1897. Manuscripts include drafts and notebooks for his works: THE ARTIFICIAL PRINCESS, A DISCIPLINE FROM THE COUNTRY, THE RYTHUM, PRANCING N***, THE PRINCESS ZOUBAROFF, TRUE LOVE, and VAINGLORY. There is an inscribed photograph of Firbank from 1904; a pen-and-ink drawing by C.R.W. Nevinson used as a book illustration; and Albert Rutherston's watercolor drawing for the dust jacket of Firbank's novel, INCLINATIONS (London, 1916). There are also cataloged correspondence and manuscripts collected collected by Ifan Kyrle Fletcher for his book, RONALD FIRBANK; A MEMOIR.. (London, 1930).

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Samuel and Bella Spewack papers, 1920-1980

67 linear feet
Abstract Or Scope

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

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Sitwell family letters and manuscripts, 1928-1978

0.5 linear feet
Abstract Or Scope

Various letters and manuscripts by and about Sir Osbert Sitwell (1892-1969), Dame Edith Sitwell (1887-1964), and Sir Sacheverell Sitwell (1897-). There are 2 notebooks which Dame Edith Sitwell inscribed to Siegfried Sassoon containing drafts of her poem "Gold Coast Customs" as well as numerous other drafts of prose and poems.

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