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Mira Edgerly Korzybska papers, 1850-1960
13 linear feetCorrespondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.
Mother Mariia Papers, 1912-1955
1.5 linear feetCollection includes 19 manuscript notebooks of poetry and prose; 42 titled articles in typescript form on religious, political, literary and autobiographical topics; several published collections of her poetry; and a folder of original drawings. Also included are three biographical articles by K. Mochulśkiĭ, M. Vishni︠a︡k and her mother Sofii︠a︡ Borisovna Pilenko, as well as her own childhood and that of her mother and grandmother during the era of Alexander I, Nicholas I, and Alexander II.
Nataliia Lazarevna Erenburg-Manotti Papers, 1910-1973
13 itemsPapers include correspondence and manuscripts. There is a transcription of nine letters written by Erenburg-Manotti from Central Asia to her family in 1910; a brief biography of her brother, Ili︠́a︡ L. Erenburg (not the writer Ili︠́a︡ G. Erenburg); and brief autobiographical essays and excerpts, entitled "Desi︠a︡t ́let vospominanii︠a︡ (1919-1929)""Avtobiografii︠a︡, and "J'ai 88 ans.".
Nikolai Nikolaevich Nikolaev Papers, 1918-1957
400 itemsThe papers consist of correspondence, minor and fragmentary manuscripts, and clippings. The bulk of the collection consists of manuscripts and fragments, including a brief autobiography and manuscripts on the Kadets, the Civil War, and ROOVA.
Nikolai Platonovich Vakar Papers, 1930-1980
175 itemsCorrespondence, manuscripts, and newspaper clippings of Nikolaĭ P. Vakar. The correspondence includes numerous letters by Aleksandr Konovalov and Anatoliĭ Velʹmin and one letter by Grand Duke Dimitriĭ Pavlovich. Among manuscripts are a short autobiography by Vakar, and the originals and copies of his diary from 1938-1940. The diary concerns such topics as emigre politics in Paris in this period. There are numerous clippings of newspaper pieces by Vakar. In addition, there is a long obituary of Vakar by Paul Friedrich.
Nikolai P. Voronkov Manuscripts, 1966
3 itemsManuscripts by Voronkov. One manuscript is a short (6 p.), handwritten, autobiographical essay, in which Voronkov mentions his military education, his service in the Russian Imperial Army, his management of a military factory in WWI, and his emigration after the Civil War. The other manuscript"Svi︠a︡tai︠a︡ Ruś" consists of 80 poems written by Voronkov primarily about Imperial Russia, Russian Orthodoxy and the Romanov family. The collection also includes a copy of a Russian emigre newspaper published in Argentina ("Nasha Strana" 15 Feb. 1966) that contains an article about Voronkov's poems.
Olgivanna Lloyd Wright papers, ca. 1925-1985
55 linear feetPetr Aleksandrovich Pletnev Memoirs, 1946-1957
9 itemsPletnev's typescript memoirs include the following: His autobiography"Nikchemnai︠a︡ zhizn"́ (475 p.); "Den ́v Peterburge" (48 p.), with a description of St. Petersburg and in particular its cultural life before World War I; "U mori︠a︡" (5 p.), on the author's dacha near St. Petersburg; and "Den ́v Gaage" (30 p.), on his visits to a friend in the Hague in the years after the 1917 revolution. The manuscripts are in the third person; the central figure, Oborin, is Pletnev.
Random House records, 1925-1999
702 linear feetThe collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.
Samson Raphaelson papers, 1916-1982
19.5 linear feetCorrespondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.