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Annie Laurie Williams records, 1922-1971

91 linear feet
Abstract Or Scope

Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

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Geoffrey Parsons papers, 1919-1959

4 linear feet
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Correspondence, manuscripts, documents, notebooks, memorabilia, a tape cassette, photographs, and printed materials. The collection is primarily correspondence files, both personal and professional, along with book reviews, awards and diplomas, letters of condolence on his death, clippings, and correspondence, manuscripts and printed materials relating to THE STREAM OF HISTORY. The correspondence relates specifically to the third edition. The manuscripts are typed and holograph inserts for the third edition and possibly for the second edition as well. Among the manuscripts are twenty-two notebooks containing holograph notes and drafts of chapters. The printed material consists of one copy of THE STREAM OF HISTORY, 1934 edition.

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Mark Van Doren papers, 1917-1976

35 linear feet
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Correspondence and manuscripts of Van Doren, consisting of letters, poems, short stories, novels, plays, radio broadcast transcripts ("Invitation to Learning"), diaries, critical works, proofs, and printed works. Correspondents include Louise Bogan, Philip Booth, Babette Deutsch, Richard Eberhart, T.S. Eliot, John Gould Fletcher, Herbert Gorman, E.W. Howe, Robinson Jeffers, Archibald MacLeish, Louis MacNeice, Edgar Lee Masters, Lewis Mumford, Hyam Plutzik, Allen Tate, and Louis Zukovsky. Also, extensive correspondence with Robert Lax and Thomas Merton, as well as manuscripts by these two authors.

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Melville Cane papers, 1901-1979

22 linear feet
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Correspondence, manuscripts, and books of Melville H. Cane. Among the correspondents are Van Wyck Brooks, Carl Jung, Lewis Mumford, William Saroyan, Upton Sinclair, Felix Frankfurter, Jessamyn West, and W.H.Auden. Included is a scrapbook of newspaper articles by Cane, written chiefly for the "New York Evening Post". He served as the Columbia University correspondent during 1901 and 1902, when he was studying for his degree at the School of Law

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Meyer Schapiro letters and manuscripts of Whittaker Chambers and James Thomas Farrell, 1923-1991

3 linear feet
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Autograph and typed letters from James Thomas Farrell to Schapiro, concerning Farrell's personal life, his writings, and current social and political affairs. There are also eight of Farrell's manuscripts from the 1960s. The long friendship of neighbors is seen in Farrell's personal letters about his private life and his family and in the discussions of whichever novel he was working on at the time. The main body of the correspondence is from the World War II period and shows much concern for current events in the Soviet Union as well as in the U.S. and Europe. The author also made a few forays into Irish humor, as in the use of his pseudonym, Jonathan Titelescu Fogarty. There are autograph drafts of Prof. Schapiro's replies to and notes about Farrell, and letters and post cards from Farrell's actress wife, Hortense Adler. Also, a letter from Frances Mitchell on her book, THE AWAKENING - LE REVEIL, 1950.

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Robert Lavigne papers, 1954-1969

3 linear feet
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The papers of artist and Beat Generation figure Robert LaVigne. The collection contains correspondence, artwork, and event invitations.
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Thomas Merton papers, 1923-2014

21 linear feet
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Correspondence, manuscripts, documents, photographs, art work, audio cassette, printed materials by and about Thomas Merton. The correspondence covers the years from his study at Columbia to his death in Bangkok. Among the cataloged correspondence are: Daniel Berrigan, Mark Van Doren, Luis Somoza, Jacque Maritain, Aldous Huxley, James Laughlin, Robert Lax, Grover Cleveland Smith, John Howard Griffin, William Henry Shannon and Victoria Ocampo. The extensive manuscript collection was assembled primarily by Sister Thérèse Lentfoehr, Mark Van Doren, and Robert Shepherd. Among the more significant manuscripts are: corrected typescript of THE SEVEN STOREY MOUNTAIN; fragments of his NOVITIATE JOURNAL; notebooks and journals used in THE SIGN OF JONAS; numerous draft of poems; most of his lecture and conference notes which he used while serving as master of scholastics and, later, master of novices. There is an extensive collection of mimeographed articles, many inscribed to Sister Thérèse Lentfoehr; four watercolors by his father, Owen Merton, and many humorous and devotional drawings by Merton; many photographs of Merton, as well as photographs taken by Merton. There is an audio cassette of the radio play by Bruce Stewart entitled ME AND MY SHADOW, produced by the BBC in 1989. The printed material consists of numerous clippings and some offprints, pamphlets, and books

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William Bronk papers, 1908-1999

54 linear feet
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Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

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