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The George Chauncey papers include materials documenting Chauncey's research and activism related to LGBTQ+ history and activism. The collection reflects Chauncey's teaching, public speaking, and writing, including notes and other files related to his groundbreaking book, Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940. The collection also includes all the proposals submitted for a conference Chauncey organized in 2000, The Future of the Queer Past, (ultimately 200 papers, 50 panels, people from a dozen countries, funding from the Ford and Rockefeller Foundations), which provides a fascinating snapshot of the LGBTQ+ history field as it was just beginning to take off.

The bulk of the collection relates to awards, honorary degrees, and other honors bestowed on I. I. Rabi during the latter half of his career. It contains correspondence, manuscript drafts, pamphlets, lectures, articles, interviews, reports, panel discussions, transcripts, books, and conference materials about Rabi's work. Includes photographs, VHS recordings, audiocassettes, scrapbooks, and press clippings related to his career. Subjects include science, atomic energy and weapons, peace, education, NATO, history, government, world affairs, and honors. Also includes awards, honorary degrees, certificates, medals, and other memorabilia. In addition, correspondence regarding his estate, the awards established in his honor, and related memorials. These were the materials that I.I. Rabi's widow, Helen Newmark Rabi, did not donate to the Library of Congress but kept as her own mementos.

This collection consists of over 50 audio cassettes of lectures sponsored by the IIJS and related paper announcements of the lectures.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.