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Correspondence, research notes, articles, clippings, photostats, and photographs. These files concern his interest in Pierre Bayle, Antoine Arlier, and the Renaissance in Provence, as well as the Romanic Review, philology, French, Spanish, and celtic studies. Among the correspondents are: Philippe Berthelot, Nicholas Murray Butler, F.R. Coudert, John H. Finley, the Prince de Ligne, Curtis Hidden Page, William B. Parsons, and Aime ́Puech.

Correspondence, manuscripts, drawings, documents, photographs, clippings, and other printed materials. Most of Freeman's own letters are written to Anne Williams Feinberg, his secretary. Among the cataloged correspondence are: Sherwood Anderson, Margaret Bourke-White, Erskine Caldwell, John Dos Passos, Theodore Dreiser, Langston Hughes, Edna St. Vincent Millay, and Lincoln Steffens. There is the manuscript of his book NEVER CALL RETREAT.

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

Correspondence, manuscripts, documents, notes, printed material, and photographs of Leonard Altman concerning his work as editor of LISTEN and board member of Carnegie Hall as well as his other professional and personal interests.

Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.

The collection consiste of correspondence, memoranda, reports, bulletins, clippings, photographs, awards, and printed material. The files, arranged by genre and topic and reflect her philanthropic and legislative work in the areas of health, specifically cancer, heart disease, and mental health. Her civic and legislative work is covered in detail, as well as her private interests and activities.

Autograph and typed letters from James Thomas Farrell to Schapiro, concerning Farrell's personal life, his writings, and current social and political affairs. There are also eight of Farrell's manuscripts from the 1960s. The long friendship of neighbors is seen in Farrell's personal letters about his private life and his family and in the discussions of whichever novel he was working on at the time. The main body of the correspondence is from the World War II period and shows much concern for current events in the Soviet Union as well as in the U.S. and Europe. The author also made a few forays into Irish humor, as in the use of his pseudonym, Jonathan Titelescu Fogarty. There are autograph drafts of Prof. Schapiro's replies to and notes about Farrell, and letters and post cards from Farrell's actress wife, Hortense Adler. Also, a letter from Frances Mitchell on her book, THE AWAKENING - LE REVEIL, 1950.

These papers consist of correspondence, manuscripts, documents, and printed materials. Most of the correspondence concerns Florinsky's publications and editorial work. Among the correspondents are Boris Bakhmeteff, Michael Karpovich, Aleksandr Meyendorff, Bernard Pares, James T. Shotwell, and Dmitriĭ Svi︠a︡topolk-Mirskiĭ: there are one or two items each from John Dewey, Herbert Hoover, Edwin Seligman, and Harry S. Truman. Manuscripts by Florinsky include his "Russia: A Short History" and some minor articles and book reviews. Other manuscripts include a poem by Bernard Pares and a study by Sergeĭ Prokopovich of the Soviet five-year plan of 1946-50; there is also a photograph of Meyendorff. Documents concern Florinsky's career at Columbia and also include book contracts. Printed materials consist chiefly of reviews of his works and reviews he wrote of others' books.

Collection includes Kantor's diaries for 1921-32 and 1936-60; manuscripts of articles, poems, and a book-length work"Civilisation et assimilation"; and manuscripts of translations of the works of La Bruyeʹre and La Rochefoucauld. Also included are clippings and offprints of articles by Kantor (particularly from "Russkai︠a︡ Mysl"́, Paris, in the 1950s and 1960s); and a published volume of Kantor's poetry"Stikhi" (Paris, 1968).