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Note: unpublished until this inventory can be verified. The collection consists of 22 items. The Collection inclides oil paintings, prints, and photographs as follows: Portrait of Gabriela Mistral (1971); photograph of clouds over Hudson River; Biography by Lonnie Sue Johnson (1950); German Department sign by Judith Gilbert; Sphinx by Naomi Savage; Family Album by Marie Sturkan; Barnard Poster with Big Apple motif (ca. 1990); Autograph portrait of Twyla Tharp; Black and white photo of unidentified man; Oil painting by Natalia Dumitresco; Woman Bathing Child print by A.D. Gardiner; Map of Columbia University by Marie Leis (1935); Folly or Saintliness lithograph by Jose Echegaray (1895); 4 Japanese prints; Portrait of Professor Wilhelm Braun; Painting of a Harbor by Dimitris Grammatikopulos (1972); Portrait of Isaac Railton by John Opie (ca. 1800); Portrait of Delphine Brown (ca. 1890); Mission at Santa Barbara by E.J. Kahn (1950).

Fifty-eight letters, including three fragments of letters, from Berenson to Prince Paul of Yugoslavia (1893-1976), 1935-1949. The letters deal with art and esthetics, travel, international affairs, and the personal lives of Berenson and Prince Paul. All are autograph and signed with initials. Included are a postcard photograph of Berenson at ages twenty-one and seventy-one, and an autograph letter from Arthur Bliss Lane to Prince Paul.

Correspondence, manuscripts, documents, notes, photographs, and printed material of Winter. The papers cover primarily the years after 1952 when she and Stewart settled in England to avoid involvement in the House Un-American Activities Committee investigations. Winter traveled widely in Russia, visited China in 1958, and spent nine months in Ghana in 1965. Her journeys are well documented in this collection. Among the manuscripts are drafts for many of her periodical articles, typescripts of her autobiography AND NOT TO YIELD, and articles written about her travels. Also, files on art, the labor movement in California, Robinson Jeffers, the McCarthy era, Lincoln Steffens, and Vietnam. There are numerous photographs taken on her trips abroad, including her work with the Friends of Austria, 1920, of many theatrical productions, and of her family and home. Because of her eclectic interests she was acquainted with many prominent individuals in politics, literature, theatre, and the arts. Among the major correspondents are Edward Albee, Charles and Oona Chaplin, W.E.B. Du Bois, Katharine Hepburn, Carey McWilliams, Kwame Nkrumah, Sean O'Casey, and Muriel Rukeyser.

The collection includes original art from her comics, fanzines with which she was involved, two novels, and considerable explanatory matter. There is a relatively small amount of original comic art. The rest is fanzines, printed matter, and contextual material. There is a thumbdrive with additional content.

Notebooks filled with Nelson's ideas and notes on art and poetry, as well as various other subjects, such as translations, women, liberty and democracy, and Americanization, which last shows his bitterness at not having achieved recognition as a creative artist in this country. Also included are quotations from numerous writers (including Samuel Loveman's "The triumph of anarchy" copied from the author's manuscript), with his criticisms on several of them (Stagnelius, a Swedish poet, Amy Lowell, Swinburne, Ezra Pound), on Gounod and Berlioz, on the sculptor Flaxman, and on Nietzsche. There are drafts of letters to various people, and to newspaper editors. Of particular interest is the letter to Hart Crane (see Notebook 1920 November-1921 June), circa May 1921, on whom he had considerable influence, even though their friendship was of brief duration.

Four sketchbooks, with letters.

Included here are the Landon lesson plans, along with Endy's submissions with comments and corrections.

The collection consists of 124 letters from Count Leo Tolstoy and members of his family to Aylmer Maude, the English translator of his works. There are 69 letters from Count Leo Tolstoy, eighteen letters from Countess Tolstaia, eleven letters from Sergei Tolstoi (his son), 25 letters from his four daughters, Alexandra, Olga, Marya, and Tatiana, and one letter from Anna Konstantinovna Chertkova. The letters deal with such subjects as "What is art?", the "Resurrection" fund, Tolstoy's health, censorship, Ruskin, the banishment of the Dukhobors to Siberia, Tolstoy's doctrine of non-resistance, Jewish pogroms, famine in Russia, murder of Alexander II, etc. There are letters from the countess which reflect her feelings about the Chertkov's connection with Tolstoy and a letter from Sergei informing Maude that Tolstoy had left home to die, 1910. Subsequent letters deal with posthumous publications of Tolstoy's works.

A group of 45 Soviet World War II posters. These posters were part of a numbered series of 1,250 produced as wartime art and propaganda by the Tass Window Collective in Moscow. The collection is believed to have been acquired from the Rockwell Kent Estate

The collection consists of 124 letters from Count Leo Tolstoy and members of his family to Aylmer Maude, the English translator of his works. There are 69 letters from Count Leo Tolstoy, eighteen letters from Countess Tolstai︠a︡, eleven letters from Sergei Tolstoĭ (his son), 25 letters from his four daughters, Alexandra, Olga, Marya, and Tati︠a︡na, and one letter from Anna Konstantinovna Chertkova. The letters deal with such subjects as "What is art?", the "Resurrection" fund, Tolstoy's health, censorship, Ruskin, the banishment of the Dukhobors to Siberia, Tolstoy's doctrine of non-resistance, Jewish pogroms, famine in Russia, murder of Alexander II, etc. There are letters from the countess which reflect her feelings about the Tchertkoffs' connection with Tolstoy and a letter from Sergei informing Maude that Tolstoy had left home to die, 1910. Subsequent letters deal with posthumous publications of Tolstoy's works.

22 gouache, acrylic, and ink drawings on 12"xl6" sheets of Arches watercolor paper. Drawings were originally used in the animation "A Message from the Future with Alexandria Ocasio-Cortez". Originally presented by Naomi Klein and The Intercept, the short film is illustrated by Molly Crabapple, produced by Sharp As Knives, and was released April 17th 2019 in promotion of the Green New Deal. The set also includes a printout of the storyboard, and 4 additional rough sketches.

The collections contains Harvey's personal and professional diaries (1964 to 1967, 1969 to 2012) as well as a drawing that he had made for the Coconut Grove Playhouse production of "Orpheus Descending."

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

The collection consists of 11 books (manuscripts) and 4 paintings. The paintings are not distinguished, but could be important for historians of regional styles. Two of them are pretty clearly from the Ramayana." Risha Lee, Jane Emison Assistant Curator of South and Southeast Asian Art at the Minneapolis Institute of Arts, comments on the paintings: "As for the paintings, the first two are almost certainly 19th century, Pahari style, and the first might be an artistic study. The woman (perhaps a court lady or ragini) is seated against a large bolster. The second painting depicts two noblemen seated in conversation outdoors, while underneath them an older nobleman rides an elephant and carries a trident, possibly a symbol of Shiva. The other two fragmentary paintings are very nicely executed: the first depicts Hanuman attended by his monkey entourage paying homage to some individual, if it is not Rama, perhaps it is the seated Krishna who appears in the second fragment, which depicts a blue skinned male wearing a yellow dhoti, with sages seated underneath him.".