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The four drawings include: Frieze detail (Anthemion Band) : ink and graphite on paper (33 x 49 cm) ; Plan and elevation for the fly-doors at the entrances of the New Custom House, N.Y. : pen and ink on paper, signed (33 x 40 1/2 cm) ; Plan of the Basement of the New Customs House, New York : Ink, brown wash, green wash on paper mounted on linen (64 x 97 4/5 cm) ; Plan of the Flagging of the Principal Floor of New Custom House, N.Y. : Ink on paper mounted on linen (59 x 93 1/3 cm). Condition: The two larger drawings are heavily varnished and stained. A medium size portion of the "Plan and elevation for the fly-doors" has been cut.

Included in this collection are nineteen albumen photographs and one lithographic print of architectural drawings submitted by architects for the competition to design the New York State Capitol building in Albany, circa 1866-1870. Competing architects and architectural firms represented here include Adams & Worthen, Louis Burger, Fuller & Gilman, Fuller & Laver, Schulze & Schoen, and several unidentified architects. Of note are drawings for the New York State Capitol by Louis Burger and Schulze & Schoen bearing inscriptions to Obadiah B. Latham, a member of the Capitol Commission. Also included are nine photographs showing construction in progress on the Capitol between July and September, 1869. Photographs of competition drawings by Schulze & Schoen for the Iowa Capitol, the New York Post Office, and the New York Life Insurance Company Building, as well as an unsigned drawing of the Ohio Capitol building are additionally part of this collection. Several of the images are labeled by the photographer E.S.M. Haines, also practicing as Haines & Wickes, in Albany, New York.

This collection includes original and reprographic architectural drawings, office records, photographs, and personal papers relating to the work and life of New York architect Norman Jaffe.

Architectural drawings and specifications for Codman's projects, circa 1890s-1930s, including the Martha Codman house in Washington, D.C.; alterations for Edith Wharton and her husband at their three residences, the Mount in Lenox, Mass., Land's End in Newport, R.I., and their Park Avenue home in New York City; work for the Thayer family of Boston, Mass., specifically Nathaniel Thayer's three homes in Boston, Lancaster, Mass., and Newport, R.I. ("Edgemere"), Bernard Thayer's Beacon Hill houyse in Boston, and Eugene Van Rensselaer Thayer's two houses in Boston and Lancaster, Mass.; the Lucy Dahlgren house in New York City; the Archer M. Huntington house on Fifth Avenue in New York City; interior design for John D. Rockefeller in his house "Kykuit" at Pocantico Hills, N.Y.; interior design work for the Vanderbilt family including Cornelius Vanderbilt's "Breakers" at Newport, R.I. and Frederick William Vanderbilt's mansion in Hyde Park, N.Y. and his house on Fifth Avenue in New York City; Oliver Ames' mansion at Pride's Crossing, Beverly, Mass., and his house in Boston; and interior decoration and alterations for Codman's own homes in Newport, R.I. and Roslyn, N.Y. and his villa in France, "La Leopolda", at Villefranche-sur-Mer. Also, lists, descriptions, and postcards of French chateaux, with related correspondence, circa 1900s-1930s, relating to Codman's bibliography on the chateaux of France; and miscellaneous lists of houses in England and France, correspondence, and printed material.

Also, McKim, Mead & White; Pearsall and Mills; Boring and Tilton; Peabody, Wilson and Brown; Holabird and Root; John B. Peterkin; York and Sawyer; Jackson, Robinson and Adams; George Vernon Russell; John H. Barry; Pliny Rogers; Allen and De Young; Augustus N. Allen; Henry Ives Cobb, Jr.; Bottomley, Wagner and White; Andrew J. Thomas; Harvey Stevenson; R.A. Tissington; John C. Dodd; Walker and Gillette; Grosvenor Atterbury, John Tompkins Assoc.; Donn Barber; Wakefield Worcester; Farrar and Watmough; Henry Wright II; Ralph Thomas Walker; Schultze and Weaver; Henry B. Marsh; Hunter McDonnell; and a few unidentified architects

Included are photocopies of Cret's architectural drawings for the Hartford County Building, Hartford, Conn., 1926-1927; the Federal Reserve Building, Washington, D.C., 1936; the Folger Shakespeare Library, Washington, D.C., 1929; and miscellaneous projects. Also, Cret's sketches for monuments (including studies for the Quentin Roosevelt Fountain, 1919), covers and title pages for publications, a bridge, a bas-relief, a map, a medal, and a bookplate, circa 1901-1931. Includes one student drawing from the Ecole des Beaux Arts.

This collection primarily contains materials related to Percy and Harold Uris and their real estate businesses. Correspondence, financial records, and estate papers document the professional and personal lives of the brothers and their wives. The bulk of the business records are from their properties at 380 Madison Avenue and 300 Park Avenue. There is limited information about the other Uris properties and Uris Building Corporation. Finally, the collection contains records from the Uris Brothers Foundation, Inc about the family's philanthropic endeavors.