Search

Blue-line prints of The Museum of Broadcasting located at 25 West 52nd Street, New York, NY. The drawing set (which is 108 sheets including the cover) includes mechincal drawings, structural drawings, and architectural drawings.

This collection contains holograph, typescript, and photocopied papers, correspondence, and photographs collected by Adriana Kleiman in the course of her research on the life and work of architect Frank Freeman (1861-1949), as well as many of his clients.

This collection includes original and reprographic architectural drawings, photographs, office files, and professional papers related to the work of New York architect Frederick G. Frost, his son Frederick G., Jr., and his grandson, A. Corwin Frost. Examples of the work of Trowbridge & Livingston are also included.

This collection includes original and reprographic architectural drawings, black and white photographic prints, typescript specifications, and other papers relating to the architectural practice of Thomas W. Lamb, as well as his colleague and successor, John J. McNamara.

This collection includes primary and secondary research papers, slides, and photographs related to research conducted by the GSAPP's Division of Historic Preservation's Documentation I class between 1984 and 1986. Materials focus on the historic architecture and urban design of SoHo and Tribeca in New York City.

Architectural drawings for three projects; photographs of architectural drawings and models; photographs of sites before construction, buildings under construction, and interiors and exteriors of completed buildings; and related clippings. The three projects, with original drawings, arethe McGraw-Hill building, New York, 1929-1934, by Raymond Hood, Godley & Fouilhoux, and alterations, 1942-1944, by Harrison, Fouilhoux, and Abramovitz; Hood's first studies for Rockefeller Center, drawn by Walter Kilham, Jr. in 1929; and the Daily News Building, New York, 1929-1947, by Hood and John M. Howells. Also included are the Chicago Tribune Tower, Chicago (Hood won the competition for the project in 1922 - a photograph of the drawing submitted to the competition by architect Eliel Saarinen is included); photographs of models for Rockefeller Center buildings; and miscellaneous and unrealized projects. Also, two albums containing interior and exterior photographs of completed buildings designed by Hood including his American Radiator building, New York, the Chicago Tribune Tower, and others. Biographical material on Hood includes clippings of obituaries, 1934; photographs of Hood and his family, ca. 1890s-1930s, and travel photographs, early 20th century; clippings of articles by and about Hood; and biographical notes on Hood. Of interest is a photograph by Berenice Abbott of the McGraw-Hill building showing the Sixth Avenue El, demolished in 1940.

The collection is made up of three separate Boak & Raad projects commissioned by Rose Associates, Inc., which are as followed: 17 pencil and ink on drafting cloth drawings for Apartment Building, S.E. corner of 22nd street and Lexington Avenue, New York, NY (May 20, 1949) ; 8 pencil on drafting cloth drawings for Apartment Building, west side of Broadway, between E. 9th and E. 10th Street, New York, NY (Feb.-June 1955) ; 9 pencil on drawing cloth drawings for 209 to 223 East 53rd Street, New York, NY (1958).

This collection contains original drawings for thirty-nine architectural commissions, dated from 1913 to 1946. The majority of projects were located in New York City; other locations include the District of Columbia, Pennsylvania, South Carolina, and Virginia. Projects with the greatest number of extant drawings include River House in New York City (1930-1931); the Ernest P. Davies residence in Roslyn, New York (1916); the William Goadby Loew residence in Old Westbury, New York (1931-1932); and the Robert Goelet residence in Georgetown, South Carolina (1935). Drawings are primarily done in graphite on tracing paper, with some in ink on drafting linen.

This collection includes original and reprographic architectural drawings, project files, photographs, correspondence, and professional papers related to preservation architect Giorgio Cavaglieri's architectural work, professional associations, and writings.