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This collection primarily contains architectural drawings, photographs, business records and reference materials related to the projects and designs of architectural and engineering firm Abbott, Merkt and Company. A subsidiary portion of the collection includes drawings, photographs and papers related to the life and career of Richard H. Tatlow, III, president of Abbott Merkt, as well as the firms and agencies for which he also worked.

This large collection documents in great detail the architectural projects of Abraham Geller and his colleagues throughout the United States and abroad, spanning the 1940s through the 1990s. Types of projects represented include retirement homes, recreational facilities, medical centers, private residences and prototype dwellings for large residential developments, urban renewal projects, and offices.

This collection primarily contains architectural drawings, correspondence, business records, and a small number of photographs related to the projects of Emery Roth & Sons and its subsidiary entities. A large portion of the entities are represented only in the Office Records series and are identified as such. Some projects on which Emery Roth & Sons acted as architect of record are not represented in this collection, most notably the Twin Towers of the World Trade Center.

The collection includes mostly drawings for Tudor's furniture designs and are arranged by drawing number. Notable projects include the design of the Interchemical Corporation offices, in collaboration with Robert Meyer, as well as the Vanadium Corporation of America offices. The collection also includes 9 sketchbooks. Sketchbooks #1-7 and #9 consist of drawings made by Tudor while likely an apprentice. Sketchbook #8 contains drawings made while working for White, Allom & Co. Notable clients include "Dr. A", "R.G.L." The scrapbook contains clippings and photographs presumably from his professional practice as some of the photographs are labeled "E.J. Tudor." Notable projects include the Rolling Rock Club (Pennsylvania), Dixon House (unknown location), Hampton Court (England), Whitemarsh Hall (England), Mellon Institute (Pittsburgh) and Henry C. Frick (New York). Other papers include correspondence related to the design of the Interchemical Corporation offices, collected print material, 21 photo negatives depicting various travel sites and 13 color charts arranged by manufacturer. The collection also contains lantern slides, which were used by Tudor to teach interior design at New York University. The slides show architectural views and details particularly English, French and American designs as well as interior views, details and furniture.

This collection contains architectural records, photographs, and professional records and related to the architectural practice of Henry A. Minton and John G. Minton. The majority of the projects are for Henry Minton's chapels, parish halls, schools, gymnasiums, auditoriums, rectories, convents, cemeteries and mausoleums for Roman Catholic parishes. Henry Minton also designed numerous branches for the Bank of Italy and a pre-flight school for the United States Navy. The remainder of his designs consisted of hotels, store buildings, and residences. The large majority of these projects were located in the California Bay Area, with a few elsewhere in California, Nevada, and Utah. Most of the drawings are graphite on tracing paper, the remainder are prints of various types. The project files consist mainly of specifications and proposals for Minton's projects, with a very few photographs. A small group of office records and professional papers complements these project records. Lastly, the collection also includes a smaller number of drawings and files for projects designed by Henry's son, John G. Minton, who continued his father's practice and often contributed additions and alterations to his father's earlier work.

This collection contains photographs, printed and typescript papers, and other documents collected by Leslie O. Merrill in the course of his research on Greek Revival architecture in Syracuse, New York and minor historic preservation efforts. The collection also includes files of examples of Greek Revival architecture in other locations in the United States and Europe.

This collection primarily contains materials related to Percy and Harold Uris and their real estate businesses. Correspondence, financial records, and estate papers document the professional and personal lives of the brothers and their wives. The bulk of the business records are from their properties at 380 Madison Avenue and 300 Park Avenue. There is limited information about the other Uris properties and Uris Building Corporation. Finally, the collection contains records from the Uris Brothers Foundation, Inc about the family's philanthropic endeavors.

This collections contains the professional research, writing, publications, and correspondence produced and collected by Rattner through her study of the architect James Renwick, Jr. The bulk of Rattner's research addresses the life and works of Renwick, but other research topics represented in her papers range from the Renwick family genealogy to the institutional architecture of New York City. Types of research material include personal research notes (in notecard format, both typed and holograph), correspondence (1963-2001), newspaper and magazine clippings, Xerox copies of archival material and secondary sources, transcribed articles and correspondence, brochures from historic sites, photographs and slides of buildings and sites, sketches, historic structure inventory forms, landmark nomination forms, landmark designation reports, and postcards.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

This collection contains architectural records, student work, correspondence and professional writings related to the academic and architectural practice of Walter Sobotka. The largest portion of the collection, Series 1, relates to his architectural practice and contains drawings, files, and a scrapbook of photographs and articles pertaining to his work in Europe and America. The majority of his projects consisted of residential buildings and interiors in Austria along with furniture designs. However, there is also a selection of theater interiors that Sobotka designed for RKO across the United States. Series 2 contains a limited selection of Sobotka's lectures and writings, as well as correspondence. This series also contains material relating to two of his unpublished writings, The Prefabricated House and Principles of Design, including copies of the manuscripts, correspondence with publishers, and research materials. A bound version of Principles of Design is catalogued separately and contains an appendix in which Sobotka translated into English excerpts of his correspondence with the Viennese architect Josef Frank. Series 3 contains some artwork and student drawings, as well as a few personal letters.

This collection contains architectural photographs, drawings and records related to the architectural projects and designs of Warren and Wetmore, principally in the United States, but also representing commissions in Canada, Cuba, and Puerto Rico. Unfortunately, the bulk of architectural drawings produced by the firm are no longer extant. Additionally, it holds a variety of photographs and other records used as reference materials in the course of Warren and Wetmore's professional work. Lastly, a small group of student and personal papers and photographs from Whitney Warren completes the collection.