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This collection consists of administrative papers related to the Centennial Celebration organiziational efforts. The collection is made up of 7 series: Departmental Files, The Making of an Architect, Exhibit, Mapping Project, Interviews, Photos, and Bulletins, Brochures, and Books.

This collection consists of 257 video recordings (from 484 dvds) capturing various GSAPP events conducted from 2005 to 2010. These events encompass lectures, debates, conferences, and symposia and feature practicing architects, architectural historians and theorists, preservationists, and other influential figures within the architectural field. Currently, we are in the process of digitizing these video recordings, and they will be accessible online to Columbia affiliates upon completion [anticipated summer 2024]. Additionally, these recordings will be made available to the public in our reading room. They have been organized chronologically, with undated recordings appearing at the end of the collection.

This collection includes research papers and visual materials created and collected by the GSAPP Urban Design Program's Studio courses taught by Professor Richard Plunz, Professor Brian McGrath, and Professor Andrea Kahn. Studios were typically focused on a particular urban area; cities represented in this collection are Antwerp, London, Istanbul, Caracas, Detroit, Naples, Brussels, Mostar, Mexico City, Prague, Belgrade, Larderello, Brisbane, Bucharest, Barcelona, Seoul, Rome, Manhattan, Peekskill, Yonkers, and Perth Amboy.

The Oral Histories collection is made up of audio recordings, videotapes, and transcripts of interviews conducted by Foundation members. The oral histories document the life and activities of Frank Lloyd Wright and the Taliesin Fellowship. Interviewees include apprentices, clients, family, friends and acquaintances, scholars, associates, and other architects.

This small collection contains primarily correspondence, itineraries, and papers related to Fitch's publications, travel, and the administration of Columbia University's Historic Preservation program. There are copies and drafts of several articles and reports generated for various organizations authored by Fitch and others (all reports are noted in italics in the spreadsheet). Also included is the unfinished manuscript of Fitch's final book project on American architecture. Of particular note among the reference materials are fifty-two photographs of Richard Neutra's VDL Research House in Los Angeles, some taken by architectural photographer Julius Shulman.

This collection contains materials related to a full range of Blake's personal, professional, and academic lives. The bulk of the collection dates from the 1980s through the early 2000s. His professional and faculty papers document many of his interests, and primarily include published and unpublished lectures and articles. Although Blake delivered his lectures at various architectural schools in the United States and abroad, the specific locations of the lectures are not usually recorded on the documents. In addition, many articles he wrote for publication appear as annotated typescripts. There are also significant papers related to publication of his memoir No Place Like Utopia (Knopf, 1993), including correspondence and some production records. Throughout the professional and faculty papers are also found a large number of reference files relating to modern architecture, art, design, urbanism, technology, and current events, compiled over many decades. The collection also contains correspondence with personal friends, clients, and professional and academic colleagues. There is an especially significant amount of correspondence and clippings related to Patwant Singh, a Sikh writer, commentator, journalist, editor, and publisher, with whom Blake was a close friend. There are also many materials including correspondence, typescripts, and book production records related to Philip Johnson and Paul Rudolph, with whom Blake was also close. Architectural project records include original and reprographic drawings and photographs for 40 residential and institutional designs, located primarily in New York City and the surrounding region. Of particular note are drawings and papers related to Blake's important Pin Wheel House (1954) in Water Mill, New York. In addition, there are drawings related to the American National Exhibition in Moscow (1959). Finally, there is a significant number of drawings, photographs, and correspondence related to the Benjamin Gerson Residence (1999-2003) in Johnsonburg, New Jersey, one of Blake's last architectural projects.