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Architectural drawings for projects designed by Howells & Stokes, and by Stokes working independently, particularly, residence for Stokes' father, financier and philanthropist Anson Phelps Stokes (1838-1913) at Collender's Point, Darien, Conn., 1902-1905; a house for himself"High-Low House" Greenwich, Conn., 1901-1917; house for his wife at Indian Harbor, Greenwich, Conn., 1927, undated; outdoor pulpit for the Cathedral of St. John the Divine, New York, 1912-1915 (built in 1916); proposal for an apartment house at 953 Fifth Ave., New York, 1924-1926; competition entry for the Chicago Tribune Tower, undated (the competition, 1922, was won by Raymond Hood); and St. Paul's Chapel, Columbia University, New York, 1904-1930. Also, miscellaneous designs; competition entries; designs for unidentified buildings; designs for apartment buildings and housing projects; photographs of buildings by Stokes; landscape designs done by the Olmsted Brothers firm for Stokes for an unidentified project or projects. Also included are documents relating to the planning, construction, and, later, repairs and the addition of memorial tablets to St. Paul's Chapel, Columbia University, which was designed by Howells & Stokes and built in 1907. Correspondence, with related memoranda, estimates, specifications, accounts, contracts between Howells and Stokes or Stokes with Columbia University officials, and contractors and suppliers date from 1903 to the 1930s.

Files of the company, 1911-1920, much of which consists of unsucessful architectural bid documents, each noting the architect, building, and location, as well as estimated costs, sketches, and related correspondents. These bid documents represent commissions not awarded to NYATCC, and do, in some cases, indicate the outcome of the bid. Architects represented include McKim, Mead & White; Cass Gilbert; George Post; D.H. Burnham & Company; Warren & Wetmore, Schwartz & Gross, and many others. Also includes correspondence and office memoranda, including some describing the formative years, 1911-1914, of the National Terra Cotta Society, trade catalogs, and job photographs. Also, two albums containing photographs of sample pieces of terra cotta, and month by month construction records for three buildings, including the American Theater (42nd Street, New York, 1892) by Charles Coolidge Haight; the Renaissance Apartments (Brooklyn, N.Y., 1889) and the Imperial Apartments (Brooklyn, N.Y., 1890) both by Montrose Morris.

This collection contains architectural drawings, and some supplementary archival materials, for buildings primarily designed or altered by Sylvan Bien alone or in partnership with his son, Robert L. Bien. Most of the projects represented in this collection are apartment buildings located in New York City, particularly on the Upper East Side, with some work in surrounding regions and states. In several cases, drawings by the original architect for buildings later altered or studied by Bien are also included in this collection. Lastly, a small group of drawings created by Robert Bien while with Eggers Group is also included.

This collection contains architectural photographs, drawings and records related to the architectural projects and designs of Warren and Wetmore, principally in the United States, but also representing commissions in Canada, Cuba, and Puerto Rico. Unfortunately, the bulk of architectural drawings produced by the firm are no longer extant. Additionally, it holds a variety of photographs and other records used as reference materials in the course of Warren and Wetmore's professional work. Lastly, a small group of student and personal papers and photographs from Whitney Warren completes the collection.