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Correspondence, manuscripts, photographs, audio cassettes, and printed materials. Three items consisting of a nine page autograph poem entitled "The Light Touch"; a collection of short poems written in five small notebooks called "From the Sublime"; and a printed pamphlet of poetry entitled "Modern Haiku and Tanka". All items were prepared during 1971, but several pieces in "From the Sublime" date back to 1956. A sixth notebook dated 1971-1972 for "From the Sublime" is also included. Keppel writes one notebook each month and forwards them to the collection after they are completed. There are a few cataloged letters in Box 1, but the bulk of the collection consists of Keppel's poetry and essays.

The collection documents the scholarship and writing of John Eugene Unterecker, a poet, biographer of the poet Hart Crane, and professor of English. The majority of the collection is composed of correspondence and manuscripts. Materials date from 1961 to 1987.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials