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Correspondence, manuscripts, and memorabilia of the American poet, Hart Crane, range in date over most of his active life. This collection includes over 500 letters written by Crane to members of his family and close friends and received by him from his family and contemporary authors including Eugene O'Neill, Sherwood Anderson, T. S. Eliot, Alfred Stieglitz, Waldo Frank, and Allan Tate. Among these is a group of letters written to Mrs. Crane upon Crane's death. There is correspondence and documents relating to his books, THE BRIDGE, WHITE BUILDINGS, and THE COLLECTED POEMS. Also present are most of the original manuscripts of Crane's major works ("The Bridge" "White Buildings" "West Indies Poems" etc) with corrections and additions in Crane's hand. Included here are a number of drafts of poems of his earlier period. The is also a copy of the 16mm motion picture "In Search of Hart Crane."

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials