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Alfred M. and Clarisse B. Hellman - D.H. Lawrence collection, 1850-1952
14 boxesThe collection of D.H. Lawrence material contains two book-length manuscripts, the typescripts of Sea and Sardinia and The Boy in the Bush, both with manuscript corrections in Lawrence's hand. The typescript for The Boy In The Bush is probably the manuscript from which the book was printed. Other Lawrence manuscripts include "The Future of the Novel," and Chapter 13 of Aaron's Rod. Correspondents include Thomas Seltzer, Johathan Cape, Mrs. Nancy Henry, and Lady Ottoline Morrell. The collection also contains three watercolor drawings made by Lawrence for the jacket of the English edition of The Plumed Serpent. Related printed material is also included. The John Steinbeck material is comprised of one letter, and proofs for thirteen of Steinbeck's works, including East Of Eden and Of Mice and Men. Also included are a printed biography and photographs, and printed ephemera relating to many of Steinbeck's works. There are books inscribed to Alfred and Clarisse Hellman. This collection also contains some correspondence of Alfred Hellman and some letters collected by Dr. Morton Pepper.
Allen Ginsberg papers, 1943-1991, bulk 1945-1976
11.25 linear feetAngus and Hetty MacLise papers, 1950s-2010
15.5 linear feetF. W. (Frederick Wilcox) Dupee papers, 1778-2003, bulk 1933-1979
9.43 linear feetGregory Corso papers, 1949-1996
5 linear feetIsidor Schneider Papers, 1925-1975
8 linear feetManuscripts and correspondence of Schneider, including numerous manuscripts of short stories and poems, many of which are unpublished, and several full-length manuscripts of unpublished critical works. The collection also contains an extensive file of typescript reports on books for The Book Find Club, clippings of reviews written by Schneider and about his books, photographs and drawings of Schneider, and a file of correspondence relating to his writings. The literary correspondence includes letters from many of the important novelists, poets, and literary critics from the 1920s to the 1950s. They include Conrad Aiken, Sherwood Anderson, Kenneth Burke, Malcolm Cowley, Theodore Dreiser, Waldo Frank, Lillian Hellman, Robert Hillyer, Alfred Kreymborg, Thomas Mann, Arthur Miller, Marianne Moore, Lewis Mumford, Laura Riding, Muriel Rukeyser, Karl Shapiro, Stephen Spender, Mark Van Doren, and Yvor Winters.
Jacob Rabinowitz letters, 1978-1993
0.5 linear feetLetters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.
Robert Lax papers, 1938-1990
17 linear feetCorrespondence, manuscripts, drawings, photographs, and printed material of Lax. Included are letters of Mark and Dorothy Van Doren and Thomas Merton. The bulk of the collection is comprised of Lax's poetry and journal manuscripts, many written in Patmos and Kalymnos, Greece, and originally sent to Emil Antonucci of the Journeyman Press in New York for publication. Also, printed photographs and unprinted negatives of pictures taken by Lax, primarily in Greece.
Rochelle Owens papers, 1900-2022
10.5 linear feetCorrespondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.
Ruth S. Granniss correspondence, 1911-1914
0.5 linear feetCorrespondence of Granniss with various persons, relating to the preparation of her book AN AMERICAN FRIEND OF SOUTHEY (New York, 1913), a sketch of Maria Gowen Brooks (1795-1845). Included also are a copy of Granniss' book, two copperplates used to illustrate it, and a copy of Maria Brooks' ZÓPHIËL, a poem, Boston, 1925.