Search Results
Chinese oral history project collection, 1914-1989, bulk 1958-1980
37 Linear Feet (86 manuscript boxes, 7 card catalog drawers, and 4 index card boxes)- Abstract Or Scope
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The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The completed interviews are described separately under the Chinese oral history project, while this collection provides context of creation for the interviews and additional historical documentation on interviewees. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recording, and card files of names mentioned in the transcripts.
Jeffrey H. Brodsky oral history collection, 1991-2021, bulk 2000-2012
237 Gigabytes 1704 Files- Abstract Or Scope
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A born-digital work product collection of former journalist, oral historian, and OHMA grad Jeffrey Brodsky. Collection contains personal materials, audio files of a radio show, photographs and video of red carpet interviews, and materials related to Brodsky's time as a student in the Oral History Master's program at Columbia, including interviews (some partial, some complete) and related materials to his thesis title "My First Campaign," an exploration of political candidates' first political campaign.
Jeffrey H. Brodsky oral history collection, 1991-2021, bulk 2000-2012 237 Gigabytes 1704 Files
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- Brodsky, Jeffrey H., 1974-2023
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A born-digital work product collection of former journalist, oral historian, and OHMA grad Jeffrey Brodsky. Collection contains personal materials, audio files of a radio show, photographs and video of red carpet interviews, and materials related to Brodsky's time as a student in the Oral History Master's program at Columbia, including interviews (some partial, some complete) and related materials to his thesis title "My First Campaign," an exploration of political candidates' first political campaign.
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Professional Materials, 1991-2003
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A letter of recommendation dated 1991 for Jeff Brodsky written by Basil Talbott, Washington correspondent for the Chicago Sun-Times, and a cover letter and resume dated 2003 written by Brodsky.
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Press Materials, 1992-2021
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Various media coverage of Jeff's early work, including screenshots of articles, a text document with multiple articles pasted together, and a video clip of Brodsky's appearance on "Sonya Live." Also included is an interview conducted by Howard Brodsky with his son, and an article published in the New Hampshire Union Leader about Jeff Brodsky and Howard Brodsky's relationship and philanthropic work from 2021.
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New York Police Department Guardians Oral History Collection, 2015-2016
.75 linear feet (1329 pages of transcripts in 2 boxes) 18 digital audio files (Sound recordings)- Abstract Or Scope
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The fourteen interviews of the NYPD Guardians oral history collection document the history of the fraternal organization and the experiences of members as police officers in New York City. The New York Police Department Guardians Association was founded in 1943 and recognized by the NYPD as a fraternal organization in 1949. Over the years it has served African American officers and civilian employees of the NYPD by developing community; providing education and mentorship; advocating within the department; and taking legal action to combat discrimination in hiring and promotion. The narrators discuss the impact of the Guardians on officers' careers, the group's advocacy against discrimination in the NYPD, and developments in police work from the 1960s-2010s.
Eric Adams, 2015 April 22 and 2015 June 11
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Eric Adams provided two sessions of oral history interviews addressing the same subjects: his career in the New York police Department, the history of the Guardians Association, and the founding of 100 Blacks in Law Enforcement Who Care. He also goes into some detail about his personal background, including memories about police community relationships in Queens, where he grew up in the 1960s and 1970s, and his efforts to speak out against racism in the police department.
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Reuben C. Bankhead, 2015 August 3
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Reuben Bankhead speaks primarily of the NYPD Guardians Association, and its importance to aiding the careers of black police officers during his time with the New York City Police Department. He shares how influential the advice of more experienced police was when he was starting out, as well their advocacy and support for black officers to take promotion exams. He comments on the affect of the lawsuits brought by the Guardians Association, aiding later generations of police officers. He also touches on how policing has changed from the 1960s and 1970s into the 2000s, and the importance of residency requirements to community policing.
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Reuben C. Bankhead, Charles C. Coleman, Lester Grissom, Leroy Hendricks, and Robert Nero, 2015 June 8
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This is a group oral history interview with Reuben C. Bankhead, Charles C. Coleman, Lester H. Grissom, Leroy Hendricks, and Robert Nero. They share stories from their time in the New York City Police Department (NYPD) during the 1960s, 1970s, and 1980s. They were all members of the NYPD Guardians Association, and speak about how the organization influenced their careers. The conversation spans racial equality issues in NYPD, including promotion exams, and instances of retaliation for speaking out against prejudice. They describe the conflict between the NYPD Guardians Association and the NYPD Patrolmen's Benevolent Association over the attempted establishment of a Civilian Complaint Review Board in 1966. They also remember several lawsuits reversing discriminatory hiring and promotional practices.
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Cuban Voices oral history collection, 2004-2010
6740 pages 466 digital audio files (Sound recordings)- Abstract Or Scope
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The Cuban Voices oral history collection is comprised of interviews conducted for the project of the same name. The project resulted in the publication of Elizabeth Dore's book How Things Fall Apart. The interviews are intended to engage in conversations with Cubans who lived through the transition to communist rule after the Cuban Revolution and experienced events of the following decades. The goal of the project, led by Dore, was not to interview people who have established themselves as public or political figures after the Revolution, but rather to generate a dialogue with ordinary citizens whose narratives do not appear in conventional narratives. Most of the interviewees, then, are not prominent personalities. They are professionals, campesinxs, teachers, sex workers, state employees, cooks, messengers, and people working illegally, among others.
Oral history interview with Alfonso, 2005
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Alfonso begins the interview by describing his family. He then recalls his life as a student. He also recalls the period when he contracted hepatitis. Alfonso comments on his first approach to the Church and his family's link to religion. Alfonso describes his seminary studies to become a pastor and the times when he had to leave because of his unstable health. Alfonso reflects on the persecution of religious movements during the Revolution and on the Cuban press. Finally, Alfonso discusses the role of youth in the continuity of the Revolution and the link that young people establish with the United States.
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Oral history interview with Alicia, 2005
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In the first session, Alicia discusses her birth and the death of her father. Alicia comments on her passage through different levels of education and discusses public schools in the pre-revolutionary period. Finally, she discusses the practices she carried out as a social worker in impoverished neighborhoods.
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Oral history interview with Alina, 2008
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In the first session, Alina recalls her childhood in San Miguel del Padrón, a settlement in Havana. She also recalls the bond she had with her cousin, the Elián González episode, and her time at the Lenín Institute. Alina describes how she entered the Instituto Superior de Arte. She recalls her fondness for art from a very young age. Alina describes her life at the Instituto Superior de Arte and discusses the lack of economic resources to produce films.
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