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Aaron W. Berg papers, 1848-1977
2 linear feetCorrespondence, manuscripts, photographs, memorabilia, and printed materials concerning Berg's lifelong interest in and work for his alma mater. Berg served the University in many capacities such as vice-president and president of the Alumni Association of Columbia College, 1954-1958, and member of the board of directors of the Alumni Federation of Columbia University, 1946-1958. The correspondence deals chiefly with alumni affairs; some of the major correspondents include Harry J. Carman, Lawrence Chamberlain, Frank S. Hogan, Mr & Mrs Richard Rodgers, and Arthur Hays Sulzberger. Among the photographs are two signed by Dwight D. Eisenhower. Also included is a typescript memoir of Berg's three years as a student in the Columbia School of Law (1927). Berg collaborated with three other students on this memoir. Aaron Berg's correspondence with Dwight D. Eisenhower is at the Eisenhower Library. Also included are literary autographs and manuscripts purchased on the Aaron Berg Fund.
Samson Raphaelson papers, 1916-1982
19.5 linear feetCorrespondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.