Collections : [Rare Book & Manuscript Library]

Fifty-eight letters, including three fragments of letters, from Berenson to Prince Paul of Yugoslavia (1893-1976), 1935-1949. The letters deal with art and esthetics, travel, international affairs, and the personal lives of Berenson and Prince Paul. All are autograph and signed with initials. Included are a postcard photograph of Berenson at ages twenty-one and seventy-one, and an autograph letter from Arthur Bliss Lane to Prince Paul.

Correspondence, manuscripts, documents, notes, photographs, and printed material of Winter. The papers cover primarily the years after 1952 when she and Stewart settled in England to avoid involvement in the House Un-American Activities Committee investigations. Winter traveled widely in Russia, visited China in 1958, and spent nine months in Ghana in 1965. Her journeys are well documented in this collection. Among the manuscripts are drafts for many of her periodical articles, typescripts of her autobiography AND NOT TO YIELD, and articles written about her travels. Also, files on art, the labor movement in California, Robinson Jeffers, the McCarthy era, Lincoln Steffens, and Vietnam. There are numerous photographs taken on her trips abroad, including her work with the Friends of Austria, 1920, of many theatrical productions, and of her family and home. Because of her eclectic interests she was acquainted with many prominent individuals in politics, literature, theatre, and the arts. Among the major correspondents are Edward Albee, Charles and Oona Chaplin, W.E.B. Du Bois, Katharine Hepburn, Carey McWilliams, Kwame Nkrumah, Sean O'Casey, and Muriel Rukeyser.

The collection includes original art from her comics, fanzines with which she was involved, two novels, and considerable explanatory matter. There is a relatively small amount of original comic art. The rest is fanzines, printed matter, and contextual material. There is a thumbdrive with additional content.

Notebooks filled with Nelson's ideas and notes on art and poetry, as well as various other subjects, such as translations, women, liberty and democracy, and Americanization, which last shows his bitterness at not having achieved recognition as a creative artist in this country. Also included are quotations from numerous writers (including Samuel Loveman's "The triumph of anarchy" copied from the author's manuscript), with his criticisms on several of them (Stagnelius, a Swedish poet, Amy Lowell, Swinburne, Ezra Pound), on Gounod and Berlioz, on the sculptor Flaxman, and on Nietzsche. There are drafts of letters to various people, and to newspaper editors. Of particular interest is the letter to Hart Crane (see Notebook 1920 November-1921 June), circa May 1921, on whom he had considerable influence, even though their friendship was of brief duration.

Four sketchbooks, with letters.

Included here are the Landon lesson plans, along with Endy's submissions with comments and corrections.

The collection consists of 124 letters from Count Leo Tolstoy and members of his family to Aylmer Maude, the English translator of his works. There are 69 letters from Count Leo Tolstoy, eighteen letters from Countess Tolstaia, eleven letters from Sergei Tolstoi (his son), 25 letters from his four daughters, Alexandra, Olga, Marya, and Tatiana, and one letter from Anna Konstantinovna Chertkova. The letters deal with such subjects as "What is art?", the "Resurrection" fund, Tolstoy's health, censorship, Ruskin, the banishment of the Dukhobors to Siberia, Tolstoy's doctrine of non-resistance, Jewish pogroms, famine in Russia, murder of Alexander II, etc. There are letters from the countess which reflect her feelings about the Chertkov's connection with Tolstoy and a letter from Sergei informing Maude that Tolstoy had left home to die, 1910. Subsequent letters deal with posthumous publications of Tolstoy's works.

A group of 45 Soviet World War II posters. These posters were part of a numbered series of 1,250 produced as wartime art and propaganda by the Tass Window Collective in Moscow. The collection is believed to have been acquired from the Rockwell Kent Estate