Collections : [Avery Drawings & Archives]

8 sheets with 16 drawings (drawn recto and verso) of portals, arches, arcades, fireplaces, wall niches and other apertures. Drawings in ink with wash on paper, with some annotations in Italian. The sheets are from a dismembered sketchbook and are housed in a red leather-bound case titled "Architectural Drawings -- Beccafumi" on the spine.

Blue-line print of bronze Subway sidewalk sign post design.

The archive consists of 250 + letters, drawings, invoices, leases, mortgages, bonds, and deeds related to the 516 Broadway, New York, NY, which was owned then by Edward Livingston and his partner. The bulk of the material consists of correspondence from the architects, Hugh Lamb and Charles Rich, who were hired to convert a portion of the building into stores. They worked with Cornell Iron Works, Otis Elevator etc. and approved all work and payment of bills.

Floor plans of the 4th, 5th, and 6th floor on negative photostat; and one pencil and trace floor plan of an unidentified apartment.

Drawings made by Raisman while a student at Columbia University's School of Mines, Engineering and Chemistry from 1894 to 1898. The majority of the drawings are ink on paper or vellum and are studies of various shapes, valves, arches, and bridges.

This collection primarily contains architectural drawings, photographs, business records and reference materials related to the projects and designs of architectural and engineering firm Abbott, Merkt and Company. A subsidiary portion of the collection includes drawings, photographs and papers related to the life and career of Richard H. Tatlow, III, president of Abbott Merkt, as well as the firms and agencies for which he also worked.

This large collection documents in great detail the architectural projects of Abraham Geller and his colleagues throughout the United States and abroad, spanning the 1940s through the 1990s. Types of projects represented include retirement homes, recreational facilities, medical centers, private residences and prototype dwellings for large residential developments, urban renewal projects, and offices.

Plans and elevations for the following projects: Boiler House, College no. 1, and Gymnasium for Bryn Mawr college, Chemistry Lab for Lehigh University, Residence for Professor J.C. Booth at Haverford Station.

Architectural drawings for buildings designed by Hamlin including proposed alterations for the Charles Dudley Warner House, circa 1885; pumping station Clear Stream (or Clear Stream Station), Long Island, 1886; American Classical School, Athens, Greece, 1886-1888; proposed cottage for Mrs. R. Hoe at Sea Cliff, Long Island, 1887; an addition to Clinton Hall at Blair Presbyterian Academy, Blairstown, New Jersey, circa 1896; Soldier's Monument, Whitinsville, Massachusetts, circa 1904 (Hamlin was the architect and Herman A. MacNeil was the sculptor); and miscellaneous and unidentified structures. Also included are drawings done by Hamlin while a student at the Massachusetts Institute of Technology, 1876-1877; sketches done by Hamlin on travels both in the United States and abroad, 1867-1923; photographs of various unidentified buildings and architectural drawings; manuscripts of "ARCHITECTURAL SHADES AND SHADOWS" with related drawings"History of American Art" (unfinished, in French), circa 1923, and "MODERN ARCHITECTURE AND THE CRITICS" circa 1923. Personal materials included undated photographs of A.D.F. Hamlin; a photograph of an 1835 portrait of Cyrus Hamlin; a volume containing condolences, 1926, on the occasion of A.D.F. Hamlin's death; and a scrapbook"Memoirs of Amherst, Class of '75" containing programs, invitations, clippings, notes, essays, exam questions, steamship passenger lists, and other materials.

This collection contains holograph, typescript, and photocopied papers, correspondence, and photographs collected by Adriana Kleiman in the course of her research on the life and work of architect Frank Freeman (1861-1949), as well as many of his clients.

This collection is composed primarily of correspondence, memoranda, course material, photographs, drawings and slides. The collection is broken down into personal and academic papers. The academic papers pertain mainly to Colquhoun's career as a writer and theoretician and professor at Princeton University's School of Architecture. The personal papers consist mainly of correspondences with friends and family, as well as notebooks, which Colquhoun kept from the 1940s. The visual materials (photographs and drawings) straddle the two categories. Many of the photographs were taken by Colquhoun himself, to be used later in his teaching, while the drawings consist of both student work and reproductions of works from his practice with John Miller. For the majority of the collection, Colquhoun's folder titles have been maintained and the material has been arranged chronologically. The collection is arranged into four series.

New York City architectural renderer, artist, and printmaker. Born 1884 in Newark, New Jersey, Flanagan graduated from the School of Architecture at Columbia University in 1910. Flanagan taught drawing at Columbia from 1911 to 1912 and returned as an associate professor of design from 1920 to 1925. Flanagan also worked for several architectural firms, often as a renderer, including Trowbridge & Livingston, McKim, Mead & White, and Harvey Corbett. In 1927, Flanagan left Corbett's office and began full time work as a fine artist. From January 1928 until August 1929, Flanagan travelled in Europe, studying with painter Edouard Léon Cortès in Paris from the fall of 1928 through the spring of 1929. Flanagan was also one of the original members of the Society of American Etchers. Flanagan eventually returned to practicing architecture, associating with various firms until he retired in the mid-1960s. He died in New York City in 1969.

The letters are between convicted war criminal Albert Speer and one of Speer's former prison guards Richard N. Gookins. The correspondence concerns Speer's interest in continuing his architectural career after being released from prison. The guard, who was no longer part of the US Army, sent American architectural magazines to Speer in prison under his name so that Speer would avoid unwanted attention about these inquiries.

Letters are primarily to White's mother, Alexina Black Mease White, his father, Richard Grant White, and his wife, Bessie Springs Smith White. The volume of White's letters from Mexico documents an extended trip he took with his elder brother, Richard Mansfield White, to prospect. Also included in the last volume is a letter to White from H. H. Richardson, dated February 22 1878, acknowledging White's resignation from Richardson's firm. Each original manuscript letter is followed by a typed transcription by Lawrence White, unless otherwise noted.

1 presentation book

Also, biographical manuscripts, illustrations of coats of arms, pedigree, and lists of his drawings and his library, to circa 1900, much of it done by Joseph B. Davis.

Undated photographs taken circa 1940s-1960s show interiors and exteriors of eighteenth and nineteenth century buildings in Kentucky. Buildings include The Grange, near Paris, built 1818; the Old Capitol, Frankfort, built 1827-1829; Adam Childers House, Versailles, built circa 1845; Betty Bryan Place, Harrodsburg Pike, built circa 1843; Holloway House, Richmond, built circa 1838; Castlelawn, near Lexington, undated; Junius Ward Place, near Georgetown, built 1859; Warwick, at Danville, built circa 1845; and others.

Includes professional papers, photographs, slides, art, and architectural drawings.

Drawings show plans, elevations, and sections for the Southwest Apartment on the 11th and 12th story of 1 Lexington Avenue.

This collection includes primarily original etchings, engravings, and lithographs, as well as published images from a variety of sources, of individual architectural structures or the built environment. Most of the images are uncolored. The collection is especially strong in images from the United States and England. A significant number of images are plates from Walter Harrison's "A new and universal history, description and survey of the cities of London and Westminister, the borough of Southwark, and their adjacent parts." (London, J. Cooke, 1776). A small portion of the collection depicts decorative arts and interiors. Also included are a few ephemeral items--such as tickets, letterhead, receipts, and bills--that include architectural imagery.

This collection primarily contains 177 groups of English, Continental and American drafting sets and individual instruments dating from circa 1700 to 2004. These instruments were used to create technical drawings, typically by architects, draftsmen, engineers, surveyors, and students. Complementing the instruments are a small group of miscellaneous items, including medals, a model, a necktie, and a charm bracelet, and a large group of published materials, including trade catalogs and other technical, biographical, historical, and scholarly writings about drafting and scientific instruments and related subjects.

Angelo Monaco (CC '87) studied architecture as an undergraduate at Columbia University. Included in this small collection is a 1-page reminiscence on Douglas Darden who was a studio critic while Monaco was an architecture student (2016); a pencil, color pencil, and ink sketch by Darden titled "The Three Temptations" drawn on the verso of a floor plan of Avery Hall's Wood Auditorium (1985); and a signed 10-page lecture "The Diagram as a Space of Difference" by Peter Eisenman (2005).

The collection consists of research papers complied by Annice Alt in preparation for the book Boak & Paris / Boak & Raad: New York Architects (2014), and includes newspaper clippings, notes, contemporary photographs of buildings, real estate advertisements, and building information reports created by Alt. The collection also inclues 10 original ink on linen drawings for the Boak & Raad limited profit housing project, Leland House (Bronx, NY); one perspective rendering by Rowe Langston for the David Rose 1945 commissioned apartment, The Thornley, at 215 E. 79th Street (New York, NY); and reproduction of two drawings for the Boak & Paris apartment house 331-345 West 57th Street (New York, NY).

Collection contains large-scale black and white photographic prints taken by G.E. Kidder Smith of historic and contemporary buildings in 32 states.

The Arthur Cort Holden Collection consists chiefly of glass plate negatives that primarily deal with the explication of New York City housing and real estate. Other subjects include diagrammatic maps of New York City, exterior and interior views of unidentified domestic architecture, and a limited amount of projects by Holden himself. The collection also contains drawings related to the economic and housing surveys and studies concerning New York City completed during the 1930s. Both Cornell University and Princeton University hold other extensive collections related to Holden.

The collection documents the life and activities of architect Arthur T. Sutcliffe. The collection is made up of four series: Personal Papers, Project Records, George L. Sutcliffe Papers, and Family Papers.

More than 120 architects from the United States and abroad contributed original drawings to this collection. Most are hand-drawn; some are printed through traditional etching or lithography techniques; a few others are computer-generated prints. Images are primarily related to the architects' projects, although some drawings are travel sketches of other structures. Drawings in this archive were exhibited at the Miriam & Ira D. Wallach Art Gallery and the Arthur Ross Gallery at Columbia University, Apr. 3-May 4, 1991. At least one drawing from each contributor was published in the accompanying exhibition catalog, CONTEMPORARY ARCHITECTURAL DRAWINGS (San Francisco: Pomegranate Artbooks, 1991).

The materials that comprise the Vertical File have been collected and added to from a variety of sources by former Avery Librarians. The vertical file contains clippings, pamphlets, reprints, and other miscellaneous materials relating to persons, places, organizations, and topical subjects relating to architecture, housing, and city planning. The purpose of the vertical file was to arrange and store small items, memorabilia, and ephemeral material on a variety of topics to facilitate access by researchers. For the most part, the vertical file contains printed items only. Manuscript material and other unique items were, generally, not placed in the vertical file. In some cases, manuscript material has been removed from the Vertical File and placed in its corresponding collection.

Included are five preliminary drawings, eighteen working drawings, and nine full-scale details for Bryant & Gilman's residence for the Honorable Benjamin J. Stark in New London, Connecticut.

Three sketchbooks; the first, 1893-1894, containing sketches from his student years at the Columbia School of Mines, Department of Architecture (he received his degree in 1894); the second, 1894-1896, containing sketches made as a student at the Ecole des Beaux-Arts in Paris; and the third, circa 1896-circa 1905, containing sketches for a variety of projects and designs. Buildings and other structures depicted include the Academy of Music on 14th Street, New York City (a seating plan); Wells Fargo Bank Building, Portland, Oregon, 1910; Reunion Hall, Princeton University, 1902; lantern for the Aetna Building, Hartford, Connecticut; Woodland Street entrance to Kinney Park, Hartford, Connecticut, 1905 (some drawings are by others). Program notes from the classes of Paul Blondel and J. Gaudet at the Ecole des Beaux Arts are included. Also, designs (some done in partnership with Joseph Urban) for proposals for the Metropolitan Opera Company on various sites in New York City, circa 1920s; and designs for shopping and music centers in New York City, to 1936.

This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.

This collection primarily contains architectural renderings executed by Long in 1906 for a memorial issue of BUILDINGS magazine dedicated to New York architect Stanford White. These drawings represent White's most famous structures designed while he was a partner with McKim, Mead & White. Buildings depicted include Madison Square Garden, the New York Herald Building, and the Washington Memorial Arch, all in New York City, among others. Also included in this collection are miscellaneous architectural drawings by Long, Chester B. Price, and others, circa 1920s-1930s; and printed material.

The collection is made up of three separate Boak & Raad projects commissioned by Rose Associates, Inc., which are as followed: 17 pencil and ink on drafting cloth drawings for Apartment Building, S.E. corner of 22nd street and Lexington Avenue, New York, NY (May 20, 1949) ; 8 pencil on drafting cloth drawings for Apartment Building, west side of Broadway, between E. 9th and E. 10th Street, New York, NY (Feb.-June 1955) ; 9 pencil on drawing cloth drawings for 209 to 223 East 53rd Street, New York, NY (1958).

The collection consists of architectural drawings, photographs, and some personal papers.

This collection contains primarily 19th-century published prints depicting British and French dramatic theatres, with a small representation of international theatres. Images of sculpture, costumes, and fashion plates are also included. The majority of images are from published sources and are colored. Nearly all the prints are titled and most include artist, printer, and/or publisher information. Many noted printmakers are represented in this collection.

This collection includes black and white and color photographic prints of construction sites in and around New York City. Notable projects represented in this collection include the American Bible Society headquarters, the CBS headquarters, the United Nations, Port Authority, and the Parking Garage next to the Brooklyn and Battery Tunnel and Washignton Street El, all in New York City; the Northwest Airlines Terminal at Idlewild Airport in Queens, N.Y; Highbridge House in Bronx, N.Y.; and the Gateway Center in Pittsburgh, Pa.

This small collection consists of 11 drawings, work receipts, bills, specifications, printed material, and a some correspondence and legal papers related to the erection of The Buckingham Hotel.

Columbia University student project.

Pollard's architectural drawings for churches, and residential and commercial buildings, located largely in New York and New Jersey, many undated, circa 1830s. Included are drawings for St. Paul's Protestant Episcopal Church, Petersburgh, Va., built, 1838, and destroyed in a fire, 1854; a prison, probably submitted by Pollard to the 1835 competition for the New York Hall of Justice. Also, a broadside, undated, describing the projected Washington Monument, New York City; a letter Pollard from Charles C. Taber, 1850, describing his plans for four houses on three adjacent lots on 25th Street, with sketched plans on verso; and two trade cards of C. Pollard's Ohio Fire Proof Mineral Paint attached.

Slides taken by Camilo Vergara in the company of Lenny Hicks documenting urban decay in Bronx, New York for Vegara's project The New American Ghetto.

The bulk of the collection (292 drawings) features original drawings for the 1889 publication of Carl Pfeiffer's designs for American mansions and cottages. These are a mix of ink on paper, linen and tracing paper, as well as pencil on trace. Also included are a set of 7 drawings for a private home on Madison at 25th Street -- these are in ink and watercolor on paper, with a great level of detail -- and an illuminated monogram in a fantasy landscape.

The collection consists of Caroline King's research files on Henry Dudley. King was researching Henry Dudley for a potential doctoral dissertation on Dudley's practice in New York City between the years 1851 and 1894. The collection primarily contains photocopies of articles and other resources King collected. The collection also includes slides of some of Dudley's extant buildings, likely taken by King in the 1980s.

Architectural drawings and photographs of architectural drawings with some related correspondence of residential and public buildings, churches, libraries, theaters, monuments, and bridges including: the Henry Hudson Bridge, Triborough Bridge, and the Manhattan Bridge in New York; Edward Henry Harriman's Arden House in Harriman, N.Y.; the Alfred I. Dupont mansion in Roslyn, N.Y.; the David A. Reed house in Washington, D.C.; the reconstruction of the Grand Army Plaza in New York City; the Memorial Amphitheater for Arlington National Cemetery; and various bicentennial buildings for Yale University. Of note are drawings of the grounds, details of buildings, and furniture for the New York Public Library, 1908-1909.

5 panels with reproductions of architectural drawings for Casa Baldwin, an unbuilt residential project by Luis Barragan and Raul Ferrara for Benjamin Baldwin in Sarasota, Florida. Includes site plans, floor plans, elevations, and sections.

Drawings show plans, elevations, sections, and details for the design of the Casino Theatre and related spaces.

The Charles Dudley Arnold photographic collection is composed of three parts. The first is a collection of 47 platinum print photographs showing views of the Columbian Exposition. These photos were formerly mounted in an album from the library of McKim, Mead & White, architects. This album was v.10 of a 14 volume "collection of albums of photographs, illustrations from periodicals, clippings and sketches depicting works of the firm," now in Avery Classics at AA 712 M195.

Four photographs of the International Exhibition in Philadelphia, 1876, showing Horticultural Hall, Main Hall (also called Industrial Hall), Memorial Hall, and the Michigan Building with the Detroit Light Guard posed in front of it. Also included are seven photographs of clouds (at the time cameras were not able to expose both buildings and clouds at the same time so the negatives of the clouds were combined with the negatives of the photographs of the International Exhibition to create one print). Also, two photographs of the sculptures "The Forced Prayer" by Pietro Guarnerio and "Religious Liberty" by Moses Ezekiel.

Drawings, prints, watercolors, photographs, and reproductions, largely undated (late 19th- through the 20th century) of architectural and other subjects by Harriman, with some by others including Perry Coke Smith, Howard J. Custer, and unidentified artists and architects. Of note is an undated unidentified photograph of late 19th- or early 20th-century art or architecture students.

This collection contains architectural drawings by various delineators and photographs of completed buildings designed by Charles Coolidge Haight. These projects include General Theological Seminary; the School of Mines at Columbia University; Christ Church, built in 1860; St. Ignatius Chapel, built in 1902; and Trinity School--all in New York City. Also included are the Chapel of Saint Cornelius the Centurion on Governors Island, New York; buildings at Yale University; and miscellaneous and unidentified projects. Additionally found in the collection are a contract and specifications from 1881 for a hospital for contagious diseases to be built for the New York City Health Department on North Brother Island in New York City, as well as reproductions of architectural drawings for this hospital.

The Charles Frederick Chandler collection is composed of several parts. It contains a miscellaneous collection of approximately 167 drawings, notebooks, letters, pamphlets, clippings, etc. formed by Chandler on the subject of tenement housing and documents work on Chandler's house at 51 E. 54th Street in New York City. The Chandler collection also contains 13 photographs, collected by Chandler, related to the Centennial Exhibition in Philadelphia. Additional materials include a collection of photo processes and two E.T. Potter broadsides dated 1887-1888.

Drawings and maps, with related clippings, showing proposals for traffic routes; railway and ship terminals; boulevards and streets; buildings; public spaces; bridges; and other projects, located mostly in Manhattan, with some in Brooklyn. Also, a rendering by Jacob Wrey Mould of the Church of the Pilgrims, Brooklyn, New York, is included.

Architectural drawings with miscellaneous photographs, prints, and reproductions executed by Charles Stoughton, or by the architectural firm Stoughton & Stoughton, formed by the partnership of Charles and Arthur Stoughton. Projects include bridge designs for the estates of John D. Rockefeller, Jr. at Mount Desert Island, Maine, 1930-1934, and Pocantico Hills, Tarrytown, N.Y., 1929-1931; buildings at the Canton Christian College at Hong Lok, Canton, China, 1905-1913; a residence for secretaries, Young Women's Christian Association, Pak Hok Tong, Canton, China, 1915; and buildings at the Polytechnic Institute at San German, Puerto Rico, 1918-1937. Also, a plan and elevations of the grounds, with the location of the house, of the Jumel Mansion, New York, n.d.; a general plan of a hospital, 1919; a photograph of the Soldiers and Sailors Monument, New York; and miscellaneous maps of various sections of New York City, undated except for one dated 1796.

This small collection contains primarily Detwiller's student drawings, notes, course materials, books, class photographs, and graduation announcements from the period of his study at Columbia University from 1881 to 1885. These materials are supplemented by a small group of Detwiller's childhood sketchbooks, drawings and office papers created by Detwiller during his practice as a professional architect, and other scrapbooks and ephemeral items relating to Detwiller's family and personal interests, spanning the years 1874 to 1940.

Price's renderings, circa 1930s until his death in 1962, of designs by Warren and Wetmore, Benjamin Wistar Morris, III, and others; for the Hartford National Bank, Hartford, Conn. and the General Motors Building, New York City, designed by Shreve & Lamb; and other buildings. Also, eight photographs, undated, circa 1930s-1940s, showing the interior and exterior of Union Square Station, Toronto, Ontario (Price's relation to these is unclear).

This collection primarily contains original correspondence--including letters, telegrams, and postcards-- to California architect Robert D. Farquhar from Chester A. Aldrich. Also included is a small group of letters from Amey Owen Aldrich to Farquhar. Most letters are accompanied by envelopes; a very few contain photographs, clippings and other ephemera. Matters discussed in the correspondence vary widely from intimate personal subjects to observations and reports on the work of Carrère & Hastings and Delano & Aldrich, the American Red Cross and its work with soldiers in Italy during World War I, the rise of Fasicsm in Italy, economic hardships during the Depression, and the state of American and European architecture.

This collection contains photocopied images and original published plates of buildings in the United States and abroad designed by the New York architectural firms of Emery Roth and Emery Roth & Sons between the 1920s and the 1980s. The photocopied images are organized by project in binders; the original plates and photographic prints are organized by project in six folders.

Included are the architectural drawings pertaining to the Church of St. Vincent Ferrer in New York, N.Y. These drawings include plans, elevations, sections, and details in full-scale, and the dates of the drawings span 1908-1928. The drawings are cataloged separately in CLIO and their call numbers are NYDA98-F0 through NYDA98-F6; their accession numbers are 1996.011.00001 through.00452.

26 diazo prints of Victor Lundy's Church of the Resurrection in East Harlem.

The collection is made up of 32 drawings in pencil, pastel, ink, and/or gouache on paper, vellum, or board. Included are designs for light fixtures, chairs, tables, mirrors, sofas in styles ranging from Baroque revival, Greek revival, Chinese Chippendale revival, and Regency revival.

This collection includes administrative, legal, and financial records, correspondence, specifications, black and white photographs, and reprographic architectural and engineering drawings related to the operations of the City Construction Company in New York City between circa 1945 and 1955. Projects include primarily apartment buildings, theatres, and commercial buildings in Manhattan and Brooklyn. Because the company was working for architects, and often working on extant buildings, drawings from numerous architects are also included in this collection. Major projects include the 15 E. 91st St. Apartments; 25 Broad St. Building; 30 Broad St. Building; 1211 Madison Ave. Apartments; 1211 Madison Ave. Apartments; and the Parke-Bernet Gallery, all in Manhattan.

This is an unprocessed collection.

This collection includes correspondence, research, and legal papers related to the operations of the Coalition to Save City and Suburban Housing, Inc., the complex's tenants, community activists, and their joint efforts to obtain a designation of the complex as a New York City landmark.

Included are architectural drawings, surveys, maps, and site proposals, for Columbia's Morningside Heights campus, designed primarily by McKim, Mead & White. Other architects represented include Adams & Woodbridge; Arnold Brunner (who designed the School of Mines); Eggers & Higgins; the Columbia University Buildings and Grounds Department; Howells and Stokes (designed St. Paul's Chapel); Reinhard, Hofmeister and Wahlquist; and James Gamble Rogers. Drawings for buildings no longer in existence or never constructed and drawings for later alterations, are included. Architectural drawings of the Bloomingdale Insane Asylum, and surveys of the asylum site prepared for Columbia, 1888-1894. Also included are site plans and proposals, surveys, and maps, circa 1890s-1910s, showing the surrounding area, including such institutions as the Jewish Theological Seminary, St. Luke's Home, Cathedral of St. John the Divine, Grant's Tomb, and others. Drawings for the Womans's Hospital in the State of New York (designed by Allen & Collens, erected 1903, demolished in the 1970s), circa 1903-1914, are also included. This building was used to house the Columbia School of the Arts in the 1960s since it was located near the campus.

Architectural drawings (no longer in current use by Facilities Management), transferred to the Avery Architectural & Fine Arts Library from the Dept. of Facilities Management pertaining to proposals, construction, alteration and addition of properties formerly used or owned, and buildings demolished or still extant. The dates of the materials span 1895 to today. The drawings include plans showing the heating and ventilation systems, electrical and plumbing details, and some original construction materials. Some of the buildings represented in this collection are: Avery Hall; Earl Hall; St. Paul's Chapel; Teachers College; Low Library; Ferris Booth; and Uris Hall, as well as details of fences; steps; statues; and bronze railings. Some of the architects hired by the University include McKim, Mead & White, Howells & Stokes, James Gamble Rogers, and Allen & Collens, as well as builder and architect R. Guastavino Co. who was responsible for the domes and vaults of St. Paul's Chapel, Earl Hall, and the Van Amringe Memorial

Additional materials include carbons of typescript correspondence of lectures given by Dean William A. Boring (academic year 1933-1934) and Professor Theodor Karl Rohdenburg (academic year 1946-1947). Also design problems, the earliest of which were given in conjunction with the Beaux-Arts Institute of Design, from academic years 1918-1919, 1926-1927, 1936-1937, 1949-1950, and 1957-1958. Also materials for the Architecture 51 class; correspondence of Joseph Hudnut; course outlines; correspondence relating to the search for a new dean of the school, 1957-1963.

This collection consists of administrative papers related to the Centennial Celebration organiziational efforts. The collection is made up of 7 series: Departmental Files, The Making of an Architect, Exhibit, Mapping Project, Interviews, Photos, and Bulletins, Brochures, and Books.

This collection consists of 257 video recordings (from 484 dvds) capturing various GSAPP events conducted from 2005 to 2010. These events encompass lectures, debates, conferences, and symposia and feature practicing architects, architectural historians and theorists, preservationists, and other influential figures within the architectural field. Currently, we are in the process of digitizing these video recordings, and they will be accessible online to Columbia affiliates upon completion [anticipated summer 2024]. Additionally, these recordings will be made available to the public in our reading room. They have been organized chronologically, with undated recordings appearing at the end of the collection.

This collection includes primary and secondary research papers, slides, and photographs related to research conducted by the GSAPP's Division of Historic Preservation's Documentation I class between 1984 and 1986. Materials focus on the historic architecture and urban design of SoHo and Tribeca in New York City.

This collection contains posters and publicity materials created by the communications office of Columbia's Graduate School of Architecture, Planning, and Preservation (GSAPP). The bulk of the collection is in Series I, which contains posters for GSAPP exhibitions and events such as lectures, discussion panels, end of year shows and film screenings. These have been arranged by decade. Series II contains copies of Newsline, a GSAPP newsletter publication from the 1990s. Series III contains publicity materials for the school's various academic programs.

This collection includes research papers and visual materials created and collected by the GSAPP Urban Design Program's Studio courses taught by Professor Richard Plunz, Professor Brian McGrath, and Professor Andrea Kahn. Studios were typically focused on a particular urban area; cities represented in this collection are Antwerp, London, Istanbul, Caracas, Detroit, Naples, Brussels, Mostar, Mexico City, Prague, Belgrade, Larderello, Brisbane, Bucharest, Barcelona, Seoul, Rome, Manhattan, Peekskill, Yonkers, and Perth Amboy.

This collection contains audio recordings for 186 different lectures, which have been digitized and are available online to Columbia affilates (and available to our public in our reading room). While the majority of the recordings are from the GSAPP Wednesday Night Lecture series, there are some recordings from other GSAPP sponosored symposiums, panels, and talks. The recordings are arranged in chronological order, with undated recording listed last. No paper records for this lecture series are included in this collection.

Drawings include mechanical, electrical and plumbing plans.

Included are drawings--from preliminary sketches to finished renderings--done by students in the architecture program at the School of Mines at Columbia and, later, at the School of Architecture at Columbia. The bulk of these were done circa 1884-1912, during the tenures of Deans William Robert Ware (1881-1903) and A.D.F. Hamlin (1903-1912). Included in collection are student drawings by William A. Boring, Harry Allan Jacobs, Benjamin Wistar Morris, Jr., Julian Clarence Levi, Arthur Ware, Talbot Faulkner Hamlin, Leopold F. Arnaud, Perry Coke Smith, Theodor Karl Rohdenburg, and Aladar Olgyay. Also, drawings done by architecture students at the Massachusetts Institute of Technology, circa 1880s; a photograph, undated, of William Robert Ware; and one drawing, 1879, by architect Cass Gilbert.

Drawings show plans for new addition on promoenade deck and exsiting lounge renovations; also includes a rendering of the exterior of Uris Hall.

Collection consists of correspondence, clippings, reports, press releases, memorandums, memos, meeting minutes, printed material, notes, financials, and one photograph. The collection is arranged alphabetically in two series: Committee Records and Reference material. Reference material includes printed booklets and copies of the Congressional Record recording the proceedings and debates of Congress.

Presentation drawing of the front elevation. In pen and ink with wash and watercolor on paper (mounted on linen, 22 7/8" x 37 1/8").

The drawings are of the construction of an airplane hanger, as part of WWII war effots.