Collections : [Avery Drawings & Archives]

This collection contains 247 photographs from William F. Lamb's reference files. The photographs were originally arranged into 4 albums entitled "A: Interiors, Ceilings, and Vaults" "B: Miscellaneous" "C: Details" and "D: Details and Wood." The images primarily detail Italian architecture in Rome, Florence, Siena, Venice and Vatican City.

Collection consists of over 1,200 architectural drawings primary for residential buildings.

The collection contains 290 drawings by American architect William Gehron for projects in the New York area. Projects represented are: Queens Borough Hall, 1939-40 (74 drawings); P.S. 191, 1952 (25 drawings); Convalescent Day Camp, Welfare Island, 1937 (15 drawings); Micellaneous Housing Projects, 1935 (25 drawings); Proposed Plaza for Broadway and 122nd Street, 1936 (1 drawing); World War II Memorial in Watermill, Long Island, NY, 1950 (6 drawings); Harlem Hospital OPD, 1939 (77 drawings); Studies for MacDonald Observatory, 1931 (28 drawings); and Utica State Hospital, 1949 (41 drawings). An rendering by Hugh Ferriss of the State Educational Building and Memorial Pylons in Harrisburg, PA was donated in 2004 (acq. 2004.005).

This collection contains primarily project records, including drawings, files, specifications, correspondence, and photographs, related to the architectural practice of William & Geoffrey Platt. Projects including commercial, institutional, and residential buildings located in Colorado, Connecticut, Delaware, Florida, Louisiana, Massachusetts, Maine, North Carolina, New Jersey, New York, Ohio, Pennsylvania, Virginia, Vermont, Washington, and France. The firm was involved in the design of many buildings and additions for institutions such as the Pierpoint Morgan Library, Princeton University, Smith College, and Deerfield Academy.

Drawings are primarily for residential commissions in and around New York City, Connecticut, and Rhode Island. Some manuscript and photographic materials are also included in the collection.

This collection contains original drawings for thirty-nine architectural commissions, dated from 1913 to 1946. The majority of projects were located in New York City; other locations include the District of Columbia, Pennsylvania, South Carolina, and Virginia. Projects with the greatest number of extant drawings include River House in New York City (1930-1931); the Ernest P. Davies residence in Roslyn, New York (1916); the William Goadby Loew residence in Old Westbury, New York (1931-1932); and the Robert Goelet residence in Georgetown, South Carolina (1935). Drawings are primarily done in graphite on tracing paper, with some in ink on drafting linen.

Watercolor drawings of interior walls and ceiling designs, late nineteenth-century, probably American.

The William Muschenheim collection spans from 1929 to 1957, with bulk dates from 1931-1950. The collection documents approximately 130 separate jobs and is made up of architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to Muschenheim's professional projects. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

This collection includes a very small number of personal papers from Ware; photographs of students, faculty, and school buildings, 1880s-1920s; memorials and testimonials to Ware; and miscellaneous clippings (including clippings of articles about Marcia Mead, first woman graduate of the School of Architecture), invitations (including two invitations to the first commencement of the University of the City of New York, 1834), greeting cards and announcements.