Collections : [Avery Drawings & Archives]

Included is Cox's correspondence, circa 1880 until his death in 1919, with architects, painters, sculptors, and writers including Bernard Berenson, Edwin Howland Blashfield, Will Hicock Low, John La Farge, Henry Oliver Walker, H. Siddons Mowbray, Theodore Robinson, Elliott Daingerfield, Lucia Fairchild Fuller, Howard Pyle, William A. Coffin, Russell Cowles, Daniel Chester French, Irving R. Wiles, James Monroe Hewlett, Harry Wilson Watrous, Edward R. Simmons, Maxfield and Stephen Parrish, Augustus Saint-Gaudens, Louis Saint-Gaudens, John C. Van Dyke, Wendell P. Garrison, Richard Watson Gilder, Robert Underwood Johnson, the architectural firm of McKim, Mead & White, Stanford White, Charles F. McKim, Cass Gilbert, Charles Adams Platt, and others. Of note are 136 from Cox to lawyer and author Leonard E. Opdyke. Correspondence, circa 1870-1922, with family members, particularly his father, Jacob Dolson Cox (a Union officer), his mother, Louise Howland King Cox (a painter), and his brother Jacob Dolson Cox, Jr. (a Cleveland industrialist and founder of the Cleveland Twist Drill Company). Correspondence of various other family members either among themselves, beginning circa 1860, or with Kenyon Cox is included. Also, manuscripts of Cox's essays, addresses, articles, and other writings on art, circa1870-1919; poetry; and juvenilia.

This collection contains primarily correspondence related to Peisch's Ph.D. thesis on the work of Chicago architects associated with the Prairie School movement. Much of the material is about Walter Burley Griffin and Marion Mahony Griffin's work in the United States and Australia and includes letters from and about Marion Mahony Griffin, Francis Barry Byrne, William Gray Purcell, William L. Steele, and George Grant Elmslie. The collection also includes some photographs, clippings, lectures, and papers related to the later publication of Peisch's thesis in book form as "The Chicago School of Architecture: Early Followers of Sullivan and Wright" (New York : Random House, 1964). Lastly, the collection contains a small number of reference files, some gathered long after the completion of Peisch's thesis.

Architectural drawings and specifications for Codman's projects, circa 1890s-1930s, including the Martha Codman house in Washington, D.C.; alterations for Edith Wharton and her husband at their three residences, the Mount in Lenox, Mass., Land's End in Newport, R.I., and their Park Avenue home in New York City; work for the Thayer family of Boston, Mass., specifically Nathaniel Thayer's three homes in Boston, Lancaster, Mass., and Newport, R.I. ("Edgemere"), Bernard Thayer's Beacon Hill houyse in Boston, and Eugene Van Rensselaer Thayer's two houses in Boston and Lancaster, Mass.; the Lucy Dahlgren house in New York City; the Archer M. Huntington house on Fifth Avenue in New York City; interior design for John D. Rockefeller in his house "Kykuit" at Pocantico Hills, N.Y.; interior design work for the Vanderbilt family including Cornelius Vanderbilt's "Breakers" at Newport, R.I. and Frederick William Vanderbilt's mansion in Hyde Park, N.Y. and his house on Fifth Avenue in New York City; Oliver Ames' mansion at Pride's Crossing, Beverly, Mass., and his house in Boston; and interior decoration and alterations for Codman's own homes in Newport, R.I. and Roslyn, N.Y. and his villa in France, "La Leopolda", at Villefranche-sur-Mer. Also, lists, descriptions, and postcards of French chateaux, with related correspondence, circa 1900s-1930s, relating to Codman's bibliography on the chateaux of France; and miscellaneous lists of houses in England and France, correspondence, and printed material.