Collections : [Avery Drawings & Archives]

Avery Drawings & Archives

Avery Drawings & Archives

300 Avery Hall
1172 Amsterdam Ave.
New York, NY 10027, USA
avery@library.columbia.edu
Avery Library’s Drawings & Archives department collects drawings, photographs, and architectural records documenting architecture and design practices. Our collections focus largely on American and New York City architecture of the nineteenth and twentieth centuries.

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Start Over You searched for: Repository Avery Drawings & Archives Remove constraint Repository: Avery Drawings & Archives Subjects Architecture -- United States -- History -- 18th century Remove constraint Subjects: Architecture -- United States -- History -- 18th century Subjects Architecture -- United States -- History -- 19th century Remove constraint Subjects: Architecture -- United States -- History -- 19th century

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John Mead Howells albums of photographs of historic East Coast architecture, 1930-1940

8 Volumes
Abstract Or Scope

These albums contain mounted black-and-white photographic prints documenting historic sites and structures along the East Coast of the United States, from the South to New Hampshire, created and collected by architect and historian John Mead Howells. These albums appear to have been created as reference sources for Howell's publications LOST EXAMPLES OF COLONIAL ARCHITECTURE (New York, W. Helbrvn, 1931), THE ARCHITECTURAL HERITAGE OF THE PISCATAQUA (New York: Architectural Book Publishing Company, 1937), and THE ARCHITECTURAL HERITAGE OF THE MERRIMACK (New York: Architectural Book Publlishing Company, 1941). However, many additional images may be found in these albums than were used in these publications. The images were taken during the second half of the 19th-century and the early 20th-century of historic buildings and sites constructed during the 18th- and 19th-centuries. Most images have annotations and caption information in typescript or in Howell's own hand. Howells collected most of the images from a variety of sources, including the Frank Cousins image collection at the Essex Institute, the Society for the Preservation of New England Antiquities, the Metropolitan Museum of Art, architect Ogden Codman, and the Historic American Buildings Survey. The remainder were taken by Howells himself.

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