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Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, manuscripts, dispatches, documents, clippings and other printed materials concerning his career as an editor and correspondent for the New York Herald Tribune in Moscow, Berlin and New York, as a staff member of the Institute of Pacific Relations from 1932 to 1934, as deputy director in the Office of War Information overseas branch, 1941-44, as an owner and editor of the New York Star, 1948-49, as an instructor in communications at Sarah Lawrence College, 1950-1951, as a book editor at Simon and Schuster, Publishers, 1951-1970, and as an author and translator.

Letters, manuscripts, notes, proofs, course materials, and printed matter. The letters are chiefly from his colleagues at Columbia University, other literary critics, a few publishers and, single letters from several American authors. There is a series of lengthy letters from Chase to his wife, Frances Marie Walker Chase, dated 1938 and 1949-1961; letters from his colleagues and friends to Mrs Chase, 1962-1967, mostly letters of condolence on Chase's death, and a few related to his publications. The manuscripts and proofs of his writings include typescripts on Herman Melville and Walt Whitman. Also included are notes on American and Englisgh literature, course materials for his Columbia courses, articles and reviews by him, articles, reprints and reviews by others, most of which are inscribed to Chase, and three dozen volumes of his own works, including foreign translations. In addition, there are 250 volumes from Chase's library, many with his annotations and marginalia. 1984 ADDITION: Letters from friends dealing with the contemporary literary world between 1948-1955. The main body of material is from Robert Willard Flint, a sometime poet and critic, who was a graduate student at Columbia in 1946 and later worked at the Harvard Library. 1986 ADDITION: Letters to Richard Chase from colleagues in the literary world, 1948-1971, with 2 letters to his wife after his death. 114 of these letters are from Robert Flint, 25 from Lionel Trilling, and 3 letters from Robert Penn Warren