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André Schiffrin papers, 1944-2014

10.5 linear feet
Abstract Or Scope

The collection consists of a wide range of material from early Pantheon papers (1944-1963) pertaining to the presence of Jacques Schiffrin and Helen and Kurt Wolff, including correspondence, business files, manuscripts and proofs, book covers, and media clippings. Later papers include correspondence and business files from Andre Schiffrin's time at Pantheon, followed by press clippings and correspondence regarding his forced removal, his launch of New Press, books he published, and finally personal papers that include notebooks, travel diaries and journals, along with his articles in various publications and miscellaneous press that he'd collected for personal interest.

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New Press records, 1992-2014, bulk 1993-2011

99 linear feet
Abstract Or Scope
The New Press is an independent, non-profit, book publisher. It was established in 1992 by André Schiffrin and Diane Wachtell. The Press focuses on publishing books that are in the public interest. The records include appointment books, catalogs, correspondence, clippings, contracts, drafts, financial records, meeting notes, proposals, production records, reviews, rolodexes, and sales reports.
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Pantheon Books records, 1944-1968

18 linear feet
Abstract Or Scope

The editorial and production files of Pantheon Books from 1944 through 1968. The correspondence from authors, agents, and publishers is written to Kurt and Helen Wolff, Jacques Schiffrin, André Schiffrin, and the editors of the firm. The files document the publication of works by A. Alvarez, Georges Bernanos, Hermann Broch, Jacob Burckhardt, Albert Camus, William Demby, Eugene Ionesco, Karl Jaspers, Winifred Bryher, Jacques Maritain, Isamu Noguchi, José Ortega y Gasset, Pier Paolo Pasolini, Sir Herbert Read, Ben Shahn, and others.

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Todd Gitlin papers, 1960-2020, bulk 1980-2005

22.68 linear feet
Abstract Or Scope

Todd Gitlin (1943-2022) was an activist, author, poet, and scholar of mass media at Columbia University. A leader of the anti-war group Students for a Democratic Society (SDS) in the 1960s and a self-identified progressive for his whole life, he became a noted critic of the American left from the 1990s on for a perceived overemphasis on identity and cultural issues.

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