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Maurice Peress papers, 1898-1923, 1950s-2017
55 linear feetMaurice Peress (1930-2017) was an American orchestra conductor, arranger, author, and educator. The papers include audio and video recordings, clippings, contracts, correspondence, diaries, memorabilia, notebooks, photographs, posters, programs, research materials, reviews, scores, scrapbooks, and working files, sketches, and other materials.
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Roone Arledge papers, 1953-2002
21 linear feetThis collection documents the professional career of television executive, Roone Arledge, during his time as President of the News and Sports divisions of the American Broadcasting Company (ABC).
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Ulysses Kay papers, 1894-2017, bulk 1938-1995
55.25 linear feetUlysses Kay (1917-1995) was a noted twentieth-century American composer. The collection includes audio reels, biographical materials, correspondence, diaries, phonograph records, photographs, programs, and scores.
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Paul Jarrico papers, 1914-2014
44 linear feetPaul Jarrico (1929-1996) was a Hollywood screenwriter working in the studio system in the 1930s and 1940s. A lifelong communist, he was subpoenaed before the House Committee on Un-American Activities in 1951. His refusal to comply with the Committee's questions saw him lose his job at RKO and placed on the so-called Hollywood "Blacklist." His films were marked by their marriage of art and politics, often commenting on the pressing issues of their time. Notably, his 1954 film Salt of the Earth, a collaboration between blacklisted filmmakers and the International Union of Mine, Mill and Smelter Workers, was regarded as a subversive critique of mid-century American capitalism.
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Angus and Hetty MacLise papers, 1950s-2010
15.5 linear feetAngus MacLise was a musician, poet, artist, and countercultural figure who was a mainstay of the downtown New York arts scene in the 1960s, which included Fluxus alongside other avant-garde communities and scenes. Hetty MacLise was an English-born artist, poet, and multi-instrumentalist likewise associated with various overlapping movements and milieus within the 1960s and 70s avant-garde. This collection contains papers, documents, publications, ephemera, sound and video recordings, photographs, and artwork primarily created by, given to, or related to Angus MacLise and Hetty MacLise.
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