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Manuscripts and correspondence of Weaver, including the typescripts of BLACK VALLEY and HERMAN MELVILLE: MARINER AND MYSTIC, as well as notes and correspondence relating to these works.

Correspondence, manuscripts, documents, photographs, memorabilia, scrapbooks, and printed material. Among his correspondents represented in the collection by at least 75 items are: William Archer, Hobart C. Chatfield-Taylor, Augustin Daly, Austin Dobson, Hamlin Garland, Bronson Howard, William Dean Howells, Henry Arthur Jones, Henry Cabot Lodge and Thomas Raynesford Lounsbury. There are bound volumes of letters from Henry C. Bunner, Andrew Lang, Rudyard Kipling, Theodore Roosevelt, miscellaneous letters to Matthews, and Matthews' editorial correspondence with the North American Review. There are three boxes of manuscripts, including poems by 21 authors; essays on drama; and plays by Henry Arthur Jones, Don Marquis, and Matthews; bound volumes of manuscripts of Matthews' plays and his book, "Development for the Drama." Also included are 17 boxes of his manuscript notes for his many lectures, articles, and books; and memorabilia, primarily from the theatre and from his life at Columbia. Material on the Dunlap Society, which was devoted to printing works relating to the theater, of which Matthews was co-founder with Laurence Hutton, includes documents and correspondence, much of which is between then secretary Evert J. Wendell and members on meetings and other Society business around 1914. In addition, there are notes and correspondence of Herbert Kleinfield relating to his research on Matthews.

Letters, manuscripts, notes, proofs, course materials, and printed matter. The letters are chiefly from his colleagues at Columbia University, other literary critics, a few publishers and, single letters from several American authors. There is a series of lengthy letters from Chase to his wife, Frances Marie Walker Chase, dated 1938 and 1949-1961; letters from his colleagues and friends to Mrs Chase, 1962-1967, mostly letters of condolence on Chase's death, and a few related to his publications. The manuscripts and proofs of his writings include typescripts on Herman Melville and Walt Whitman. Also included are notes on American and Englisgh literature, course materials for his Columbia courses, articles and reviews by him, articles, reprints and reviews by others, most of which are inscribed to Chase, and three dozen volumes of his own works, including foreign translations. In addition, there are 250 volumes from Chase's library, many with his annotations and marginalia. 1984 ADDITION: Letters from friends dealing with the contemporary literary world between 1948-1955. The main body of material is from Robert Willard Flint, a sometime poet and critic, who was a graduate student at Columbia in 1946 and later worked at the Harvard Library. 1986 ADDITION: Letters to Richard Chase from colleagues in the literary world, 1948-1971, with 2 letters to his wife after his death. 114 of these letters are from Robert Flint, 25 from Lionel Trilling, and 3 letters from Robert Penn Warren

Correspondence, manuscripts, documents, photographs and printed materials. The correspondence is with American and English literary figures and Columbia faculty members. Included are 38 letters from Brander Matthews and 4 from Edmund Gosse. There are 5 letters from Trent to George Whicher, 3 to John Hart, and 180 postcards and letters to John Bell Henneman, as well as a group of miscellaneous letters to and from Trent. Also included are a holograph fair copy of Trent's poem "Germany, 1915" with his covering a.l.s. and several miscellaneous poems; and his contract with J.B. Lippincott Co. for the publication of GEORGE SAND. There are also two documents signed by George W. Maynard. Among the photographs is a photograph album, prepared by Hudson Stuck in 1899, of people and scenes from Dallas, Texas. Among the printed materials are Trent's examinations and outlines for English courses, and THE UNPOPULAR REVIEW with numerous pages of Trent's notes

Manuscripts, typescripts, galley and page proofs and printed versions of several of Bellah's stories and books. Most of the stories, which relate to the American Civil War, were published in the SATURDAY EVENING POST. Several items of related correspondence are included. The titles in the collection are: "First Blood at Harper's Ferry" "How Stonewall Came Back" "The Secret of the Seven Days" "Slaughter at Ball's Bluff" "Stonewall Jackson's Way" "Stuart's Charge at Bull Run" "The Valiant Virginians" and "Why Stonewall Jackson got Licked at Kernstown.".

Correspondence, articles, photographs, clippings, and other ephemera about the career and writings of Robert William Chambers (1865-1933), collected by Clark. The collection includes six letters from Chambers, one letter from John Kendrick Bangs to Chambers, and 14 scrapbooks which also include printed materials about Richard Harding Davis (1864-1916) and George Barr McCutcheon (1866-1928). There are also some Clark family photographs and memorabilia.

Correspondence, manuscripts, drawings, documents, photographs, clippings, and other printed materials. Most of Freeman's own letters are written to Anne Williams Feinberg, his secretary. Among the cataloged correspondence are: Sherwood Anderson, Margaret Bourke-White, Erskine Caldwell, John Dos Passos, Theodore Dreiser, Langston Hughes, Edna St. Vincent Millay, and Lincoln Steffens. There is the manuscript of his book NEVER CALL RETREAT.

Correspondence, manuscript, document, autograph and photographs of and by Irish, English and American poets. The letters are by Samuel Austin Allibone, John Erskine, Padraic Colum, Lord Dunsany, Frances Anne Kemble, Henry Wadsworth Longfellow, Daniel O'Connell, Theodore Parker, and John Greenleaf Whittier. There is an a.ms.s. poem by John Quincy Adams; manuscripts by Ralph Waldo Emerson, Padraic Colum, and Daniel 0'Connell, as well as G. M. Fuller's autograph and photographs of Dunsany, Longfellow and James Russell Lowell. There is also a custom receipt signed by Nathaniel Hawthorne, an uncataloged portrait of Longfellow, and a charcoal portrait of G. K. Chesterton by Ivan Opffer