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The manuscripts include an outline, in 6 notebooks, of Shuberskiĭ's memoirs for 1875-1948; and, in 10 notebooks, notes on the reign of Nicholas II.

One letter, manuscripts, and printed materials of Aleksei Fedorovich Girs and of his wife, Liubov' Aleksandrovna Girs. The letter, dated 1914, when Girs was governor of Minsk, is addressed to N. A. Maklakov. Aleksei Gir's memoirs cover such topics as his service in Estland; Petr Stolypin; the "Jewish question;" Tsar Nicholas II; and independent Estonia, where he lived in 1918-1924. There are also two reports by Girs from the time of his service in Minsk. ́Liubov Girs is represented by diaries and memoirs from 1901-1918, particularly on Odessa in 1905-1906; Stolypin's murder in 1911; and Nizhny Novgorod in 1917.

Matveev's manuscript memoirs (16 p.) discuss the abdication of Tsar Nicholas II and events relating to it. Also included are copies of related correspondence and documents and a brief biographical and explanatory note by Anatoliĭ Velḿin.

The papers consist of correspondence and notes. The correspondence is made up of letters to I︠A︡khontov concerning his memoirs about the Council of Ministers from pre-revolutionary officials, including Vladimir Kokovt︠s︡ev, Pavel Ignatév, and Vsevolod Shakhovskoĭ. The notes are minutes taken at the meetings of the Council of Ministers; these exist as both the original handwritten notes and as typed copies. Finally, there is a brief memoir by I︠A︡khontov concerning World War I, and a printed copy of the announcement by Nicholas II that World War I had been declared.

The collection consists of manuscripts, photographs, original watercolors, clippings and printed materials. The collection primarily concerns Ms. Post's family in Russia before the Revolution and in the emigration in France and the U.S.A. and to Boris Bakhmetev who was the ambassador of the Russian provisional government to the United States, later chairman of the Lyon Match company in Long Island City where Ms. Post worked for many years.

The papers include manuscripts on Turgenev, Fet, Blok, Bolshevism, WWI, and enlightened absolutism, copies of correspondence between Turgenev and Fet, and of letters from I︠A︡.N. Polonskiĭ, Nicholas II, P. Annenkov, and others. Also included are a printed article about a lecture on Polonskiĭ and Fet given by Nikolśkiĭ to the Pushkin Circle of Petrograd University, and a brochure of L'Institute d'Etudes Slaves (Paris).

The collection consists of correspondence, manuscripts, memoirs, minutes of meetings, documents, maps, photographs, and printed materials, mostly relating to World War I. Correspondence, mostly to Owie, includes a letter from Grand Duke Gavriĭl Konstantinovich. Memoirs are by Sergeĭ Konoplev concerning World War I, and manuscripts appear to be by Owie on the war and anti-Communist topics. Minutes are from the Society of Officers of the 3rd Infantry Regiment of the Life Guard (Leĭb-Gvardiĭ 3-iĭ strelkovyĭ polk). Maps, documents, and photographs deal mostly with Owie's service during World War I. Among the photographs is one of Nicholas II from 1913.

The collection includes cataloged photographs (Nicholas II, Grigoriĭ Semenov) and arranged correspondence to both Semchevskiĭ and his wife. The main item in the collection is Semchevskiĭ's eight-part memoir which describes his childhood in Tbilisi, his service as kamer-pazh (page of the bedchamber) to Nicholas II and his military career in World War I and the Civil War. It also describes Semchevskiĭ's life as an emigre in Berlin, where he ran a bookstore, in England, where he manufactured motorcycles, in Austria, where he worked at an oil refinery, and eventually in the United States. There are also documents (such as military records and passports) and a photograph of Semchevskiĭ and his wife taken in 1921.

Memoirs of Vasilćhikova. The memoirs include a nineteen-page essay about the Tsarina and a twelve-page essay about Tsar Nicholas II. Both essays are handwritten and in French. Included with the essays are two postcards: one with a photograph of Marii︠a︡ Vasilćhikova and one with a portrait of her.