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Alan Brinkley (1949-2019) was the Allan Nevins Professor of History at Columbia University. He specialized in the political history of the twentieth-century United States.

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

Correspondence, manuscripts, documents, notebooks, memorabilia, a tape cassette, photographs, and printed materials. The collection is primarily correspondence files, both personal and professional, along with book reviews, awards and diplomas, letters of condolence on his death, clippings, and correspondence, manuscripts and printed materials relating to THE STREAM OF HISTORY. The correspondence relates specifically to the third edition. The manuscripts are typed and holograph inserts for the third edition and possibly for the second edition as well. Among the manuscripts are twenty-two notebooks containing holograph notes and drafts of chapters. The printed material consists of one copy of THE STREAM OF HISTORY, 1934 edition.

Correspondence, manuscripts, diaries, drafts, notes, documents, proofs, clippings, printed books, and other related materials. There are typescript drafts, proofs, related correspondence,, and printed copies of each of her books; typescript and tearsheets of her short stories, novelettes, and playscripts; correspondence with readers, agents, and publishers, and files for her promotional work at Time-Life, her newspapare and magazine columns, and her other interests; her daily appointment books; and her financial records. Among the cataloged correspondence are: Roger Nash Baldwin, Moss Hart, Hubert H. Humphrey, Ernest Jones, Clare Boothe and Henry Luce, Thomas Mann, Jo Mielziner, and Dorothy Thompson.

The collection consists mainly of correspondence, financial records, and subject files. Also included are protocols of meetings and reports, photographs, membership and subscription lists, and printed materials. The cataloged materials include manuscripts sent by such authors as Alekseĭ Remizov and Boris Zaĭt︠s︡ev for "Den ́Russkogo Rebenka" (Day of the Russian Child) in the 1930s, as well as correspondence from Nikolaĭ Vakar, Claire Boothe Luce, Aleksandra Tolstai︠a︡, and others. The bulk of the collection consists of correspondence with and about beneficiaries, and financial records from the period 1926-57.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.