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Correspondence, outlines and drafts, manuscripts, letters of agreement, contracts, photographs, artwork, and memorabilia. The collection is divided into two parts: the Frederic Dannay papers and the files of ELLERY QUEEN'S MYSTERY MAGAZINE (EQMM). The Dannay papers consist of extensive correspondence with most of the notable mystery writers of this century, as well as well-known authors who sometimes wrote in that genre: Isaac Asimov; Lawrence Block; Ray Bradbury; Pearl S Buck; Edgar Rice Burroughs; James M. Cain; Raymond Chandler; Agatha Christie, etc. Most of the novels and short stories written by Dannay and Lee are represented in manuscript form: "The Roman Hat Mystery;" "Ten Day's Wonder;" "Cat of Many Tails;" "The Scarlet Letters;" "The Glass Village;" "The Player on the Other Side;" "And on the Eighth Day" etc. In addition, there are the manuscripts of books edited by Ellery Queen; manuscripts by Ellery Queen Jr.; scripts by Ellery Queen; poetry by Dannay; contracts between Dannay and Lee, as well as between them both as Ellery Queen and numerous parties. There are also manuscripts by such notables as Jorge Luis Borges; Erskine Caldwell; Raymond Chandler; Agatha Christie; Stanley Ellin; William Faulkner; Dashiell Hammett; O Henry; Nigel Morland; Georges Simenon; Muriel Spark; Julian Symons; Roy Vickers; and Cornell Woolrich.

Literary papers of Lockridge, including manuscripts, drafts, typescripts, correspondence, and signed first editions of nine of his novels, several of which he wrote with his wife, Frances. The collection dates from THE PROUD CAT (1951) to A RISKY WAY TO KILL (1969). The manuscripts bear corrections and emendations which illustrate to the critic of this genre the origin and development of the intricate plot lines of the mystery novel.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.