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The collection of D.H. Lawrence material contains two book-length manuscripts, the typescripts of Sea and Sardinia and The Boy in the Bush, both with manuscript corrections in Lawrence's hand. The typescript for The Boy In The Bush is probably the manuscript from which the book was printed. Other Lawrence manuscripts include "The Future of the Novel," and Chapter 13 of Aaron's Rod. Correspondents include Thomas Seltzer, Johathan Cape, Mrs. Nancy Henry, and Lady Ottoline Morrell. The collection also contains three watercolor drawings made by Lawrence for the jacket of the English edition of The Plumed Serpent. Related printed material is also included. The John Steinbeck material is comprised of one letter, and proofs for thirteen of Steinbeck's works, including East Of Eden and Of Mice and Men. Also included are a printed biography and photographs, and printed ephemera relating to many of Steinbeck's works. There are books inscribed to Alfred and Clarisse Hellman. This collection also contains some correspondence of Alfred Hellman and some letters collected by Dr. Morton Pepper.

The material in this collection was originally housed in binders in Barney Rosset's New York apartment, and cover his personal and professional endeavors as a radical publisher, intellectual, and overall man of letters. It consists of writings, letters, photographs, interviews, films, catalogs, publishing files related to both Grove Press and Evergreen Review, and extensive biographical information on Rosset. The entire collection has been rehoused into archival quality boxes and folders. Each binder had been labeled, generally with some sort of topical or chronological designation. In most cases the binder labels will be retained as file titles, and the subdivisions within binders have become folders and retained, to a great extent, the titles assigned to them by the creator. In some cases the staff of the RBML altered or elaborated on existing folder titles for general clarity and ease of research. In some cases, the collection contains both original and typed (or transcribed) copies, the latter often taking the form of computer printouts that were originally held in binders marked "Master" or "Master Disk" to indicate their contents were on computer disks. These original binder titles have been kept throughout the finding aid.

Letters and manuscripts of English and American authors collected by Gilvarry. Included are a letter from Arnold Bennett, London, 1923, to Miss Renard; a poem "The Sea Bird to the Wave" by Padraic Colum, 1916; an essay of D.H. Lawrence, 1926?; a letter from Ezra Pound, London, ca. 1914, to Seumas O'Sullivan; a letter from George Santayana, Rome, 1927, to E.W. Titus; and a photograph with signature of Herman Melville, New York, 1885.

The collection includes 21 posters relating to book arts, and a number of historical rare book dealer and auction catalogs and booklets related to rare book librarianship. It also includes several groups of printed materials, documents, art and memorabilia related to literature, performing arts, and the New York World's Fairs of 1939-40 and 1964-65.

The collection is centered around the writings of Tindall, including notes, correspondence, manuscripts, and typescripts of his studies of Samuel Beckett, Wallace Stevens, Dylan Thomas, James Joyce, and D.H. Lawrence.