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Manuscripts of books and short stories written and published by various authors, many with Columbia University connections. This collection began as the result of a letter sent to authors with Columbia connections asking if they would consider the University Libraries as a place of deposit for the manuscripts of their published works. The collection grows as new authors deposit their works and new manuscripts are added to those already on deposit

Correspondence, manuscripts, typescripts, research files, documents, printed materials, photographs, and memorabilia of Mr and Mrs Hough. Correspondence includes both personal and business letters, dealing with wildlife conservation, civic interests, and birding. There is some correspondence of George A. Hough, Sr., father of H.B. Hough, who was editor of the New Bedford MA Standard. Most of the correspondence is arranged alphabetically, by personal name or subject, out-going and in-coming filed together. Henry and Elizabeth Hough's correspondence, for which there are no in-coming or related letters, are filed chronologically. Cataloged correspondents include Calvin Coolidge, Max Eastman, Helen Keller, John F. Kennedy, Emily Post, and James Reston.

The materials that comprise the Historical Biographical Files have been collected and added to from a variety of sources over the years by current and previous staff. The files consist of materials related to people who have a connection to the University whether as student, alumni, administrator, faculty, staff, guest lecturer, or honorary degree recipient. Materials generally consist of newspaper and magazine clippings, press releases, programs, ephemera, printed matter, lists, reports, and pamphlets.

Correspondence, manuscripts, dispatches, documents, clippings and other printed materials concerning his career as an editor and correspondent for the New York Herald Tribune in Moscow, Berlin and New York, as a staff member of the Institute of Pacific Relations from 1932 to 1934, as deputy director in the Office of War Information overseas branch, 1941-44, as an owner and editor of the New York Star, 1948-49, as an instructor in communications at Sarah Lawrence College, 1950-1951, as a book editor at Simon and Schuster, Publishers, 1951-1970, and as an author and translator.

Black and white glass slides of theaters, actors, and actors in productions, portraits depicting contemporary costumes beginning with Greek amphitheaters. Most of the slides are from contemporary 19th-century prints.

Correspondence, both personal and relating to social and political movements of 1926-1953, unpublished manuscripts on economic and political subjects, an unfinished manuscript on Fanny Wright with notes for the completion of the book, a manuscript outline for a projected book - "Towards Understanding America.", the manuscript of an F.B.I. investigation of the early years of Communism in America. Also included are pamphlets, magazine articles, and books, 1914-1919 by Louis C. Fraina and 1926-1953 by Lewis Corey.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, documents, photographs and printed materials. The correspondence is with American and English literary figures and Columbia faculty members. Included are 38 letters from Brander Matthews and 4 from Edmund Gosse. There are 5 letters from Trent to George Whicher, 3 to John Hart, and 180 postcards and letters to John Bell Henneman, as well as a group of miscellaneous letters to and from Trent. Also included are a holograph fair copy of Trent's poem "Germany, 1915" with his covering a.l.s. and several miscellaneous poems; and his contract with J.B. Lippincott Co. for the publication of GEORGE SAND. There are also two documents signed by George W. Maynard. Among the photographs is a photograph album, prepared by Hudson Stuck in 1899, of people and scenes from Dallas, Texas. Among the printed materials are Trent's examinations and outlines for English courses, and THE UNPOPULAR REVIEW with numerous pages of Trent's notes